E.M. Schorb reads from 1st poetry collection, “The Poor Boy”

Biography

 

E. M. Schorb attended New York University, where he fell in with a group of actors and became a professional actor. During this time, he attended several top-ranking drama schools, which led to industrial films and eventually into sales and business. He has remained in business on and off ever since, but started writing poetry when he was a teenager and has never stopped. His collection, Time and Fevers, was a 2007 recipient of an Eric Hoffer Award for Excellence in Independent Publishing and also won the “Writer’s Digest” Award for Self-Published Books in Poetry. An earlier collection, Murderer’s Day, was awarded the Verna Emery Poetry Prize and published by Purdue University Press. Other collections include Reflections in a Doubtful I, The Ideologues, The Journey, Manhattan Spleen: Prose Poems, 50 Poems, and The Poor Boy and Other Poems.

Schorb’s work has appeared widely in such journals as The Yale Review, The Southern Review, The Virginia Quarterly Review, The Chicago Review, The Sewanee Review, The American Scholar, and The Hudson Review.

At the Frankfurt Book Fair in 2000, his novel, <em>Paradise Square</em>, was the winner of the Grand Prize for fiction from the International eBook Award Foundation, and later,<em> A Portable Chaos</em> won the Eric Hoffer Award for Fiction in 2004.

Schorb has received fellowships from the Provincetown Fine Arts Work Center and the North Carolina Arts Council; grants from the Ludwig Vogelstein Foundation, the Carnegie Fund, Robert Rauschenberg &amp; Change, Inc. (for drawings), and The Dramatists Guild, among others. He is a member of the Academy of American Poets, and the Poetry Society of America.

PRIZE-WINNING BOOKS
BY E.M. SCHORB
Books available at Amazon.com

Dates and Dreams, Writer’s Digest International Self-
Published Book Award for Poetry, First Prize

Paradise Square, International eBook Award
Foundation, Grand Prize, Fiction, Frankfurt Book Fair

A Portable Chaos, The Eric Hoffer Award for Fiction,
First Prize

Murderer’s Day, Verna Emery Poetry Prize, Purdue
University Press

Time and Fevers, The Eric Hoffer Award for Poetry
and Writer’s Digest International Self-Published Book
Award for Poetry, each First Prize

visit http://www.emschorb.com.

 

 

Strangers and Trees | Poem by David Michael Jackson

The Old Men Walk
and want to run again
To run again.
I walk my three miles
because I’m glad I can walk
There are others like me.
I pass them.
One walks briskly and says little.
He doesn’t have to.
I see him walking his walk so resolute
as if he sees his last walk
or that wheelchair
and he’s gonna walk,
by God!
I wonder if he knows the Doctor,
ear, nose and throat who walks every day,
the two miles and back
to a restaurant.
He has a new white beard
and wishes to go to Florida.
These are my heroes
these days of hoping
for pleasant conversations.
as I talk to strangers
and trees.
I spoke to a big hickory today
and spread some nuts for my
wisest friend.
The young people go by,
jogging
usually without the need
for pleasant conversations.
I have a hard time forgiving them.
We should have never taught them
to not talk to strangers.
Oh leaola
oh leaola
You must talk to strangers
and trees

Barbara Crooker: poems from Slow Wreckage

THEN

The past is never dead. 
It’s not even past. 
William Faulkner

Oak leaves stamped against a chicory sky
swirled with clouds, like a marble I once had
and lost.  It’s probably still there, caught in a dry
puddle, a tree root, or one of those cracked

pavements of childhood that we walked
on going to school.  We roamed the neighborhood
in feral packs, marked up the curb with chalk:
hopscotch, marbles, kickball, only going in for food

or band-aids.  No sunscreen, helmets, fancy bikes.
Once, we rode to the creek to swim, dead deer
resting in the shallows.  We didn’t think alike:
was it safe to swim, or not?  I can still hear

my mother calling my name as darkness fell
and fireflies sent messages that only they could spell.

WEIGHT TRAINING

and how can you train the body 
to be the body? 
Carrie Addington, “Waist Training”

How can I train this body,
with its baggage, the freight
load of dinners in France, plates
gleaming with sauce and cream,
sauté pans sizzling, a glass of rosé
at the start of the meal that’s raised
to the setting sun? Breakfast: an array
of croissants in a basket, display
of confitures, especially les fraises
des bois, wild strawberries. Cushioned
in a chair, I’m sedentary: at my keyboard
writing essays or reading a roman à clef.
The days when I ran before dawn, gone.
Praise be to my left knee; the right one says
mercy going down stairs. The pain in places
I never knew existed. Ahead, there’s a station,
and I’m slowly chugging towards it.
No weight training at the gym
or miles on the exercycle can stay this decline.
In the passenger car, a conductor sways,
pushing his clicker, punching tickets: sprays
of confetti, little o’s litter the aisles, ricochet.

HAPPINESS

           Whoever can see through all fear
            Will always be safe
                 Lao Tsu, The Tao Te Ching

It’s a day of brilliant blue, lightly smudged
with chalky clouds. In the larger world, there’s
fracking, climate change, industrial sludge.
But here, none of this can reach us. Who cares

about the news? I’m in this lawn chair,
secure in its embrace. In the distance,

the surf of traffic, the hum of bees. Chances
are, none of us gets to live forever.
The shadow of the vulture on the lawn
cannot dispel this blue euphoria.

Barbara Crooker is author of twelve chapbooks and ten full-length books of poetry, including  Some Glad Morning, Pitt Poetry Series, University of Pittsburgh Poetry Press, longlisted for the Julie Suk award from Jacar Press, The Book of Kells, which won the Best Poetry Book of 2019 Award from Poetry by the Sea, and Slow Wreckage, forthcoming from Grayson Books. Her other awards include: Grammy Spoken Word Finalist, the WB Yeats Society of New York Award, the Thomas Merton Poetry of the Sacred Award, and three Pennsylvania Council fellowships in literature.  Her work appears in literary journals and anthologies, including The Bedford Introduction to Literature.

Two of Barbara’s books can be purchased on the links below, including Slow Wreckage, from which these poems were selected.

https://graysonbooks.com/products/slow-wreckage-by-barbara-crooker

Preacherman Don’t Care About My Soul No More | Song by David Michael Jackson

Preacherman don’t care about my soul no more.
He’s not knocking at my door
He’s too busy getting out the vote
to care about my soul anymore.
to care about my soul anymore

He used to send the kids around
with a pamplet and a smile
Now they’re not here, they’re downtown.
My soul’s been lonely for awhile
My soul’s been lonely for awhile

He used to sing Just As I Am
after every sermon he preached
He’d tell my soul to come on down.
Now it’s Onward Christian soldiers he sings
it’s Onward Christian soldiers he sings

Preacherman used to go out of his way
He said his good news was mine
but now my soul is a waiting in
the self salvation line
the self salvation line

Oh tell the devil to hold the door
for a soul the preacherman he said he cared for.
Running my country is more important you see
than my soul and little ol’ me
my soul and little ol’ me

Preacherman don’t care about my soul no more.
He’s not knocking at my door
He’s too busy getting out the vote
to care about my soul anymore
to care about my soul anymore

Song by David Michael Jackson

Detours Poem by Ralph Monday

Detours

Rounding the curve, halted by the SUV’s
emergency blinkers winking like some
Dis tower, I fell obediently in line as a
first grader in the cafeteria.

Head on collision, the officer said,
before directing me to the detour
ahead. Passing the crumpled car,
front shoved in like a monkey playing
accordion, I noticed the blanket covered
form loaded like a cord of wood
into an ambulance.

This one on a final detour from Sunday
morning church. But aren’t we all on
deviations, diversions?

Through the rain, the mist, the mountain
road, around one bend & an Amish
horse & buggy clattered on asphalt.
What detours awaited that black capsule?

Who could know. Detours.
Bypasses in time like a train switching
tracks.

If I had detoured from the first love,
where would the train have taken me?
Not that moment, so not this minute.
Daughters instead of sons.
Dogs instead of cats.

Detours.

What about your sidetrack?
you would have married
another & never went with
your wife to find her brother
three weeks dead sprawled in the
doorway halfway between the
bathroom & bedroom. You never
forgot the smell.

Or your sister who lost her rosary &
became a whore not a nun &
never met the suicide she would
have saved.

Detours.

Like the Amish above who swerved
away from the 21st century, zigged instead
of zagged, found themselves in a 19th
century wormhole so that I would spy
them on this Sunday detour on a road with
many curves.

Ralph Monday is Professor of English at RSCC in Harriman, TN. Hundreds of poems published. Books: All American Girl and Other Poems, 2014. Empty Houses and American Renditions, 2015. Narcissus the Sorcerer, 2015. Bergman’s Island & Other Poems, 2021, The Book of Appalachia 2023, and a humanities text, 2018. Member Lincoln Memorial University Literary Hall of Fame. Twitter @RalphMonday Poets&Writers https://www.pw.org/directory/writers/ralph_monday