New Lyn Lifshin Poetry Book. Alive Like a Loaded Gun.

alivelikealoadedgun-email-size
 
ISBN-10: 069272995X
ISBN-13: 978-0692729953
www.amazon.com
 
Intense and charmingly erotic, this new volume from Lyn Lifshin explores female personas including Enheduanna and Leda’s daughter. In this collection, Lifshin’s ‘barbaric yawp’ asserts its independence once again. This series of poems claims unfamiliar territory for the” queen of the small presses”.
 
www.transcendentzeropress.org
 
 
THE CELTIC BIRD GODDESS
 
her curves, graceful
as the crane, a slim
beauty. Some believe
she arose from the
fantastic Other World
along with fairies
and elves. Her eyes,
emerald, skin pale as
any sea bird darting
thru foam, delicate as
foam. Crows and
ravens braid anklets
of darkness around her
thighs. Displease her
and her eyes glower,
eagle-fierce. Peacock-
like, a symbol of
purity, she is like a
heron, mating for life,
an ouzel, small but
tenacious. Her feathers
charm and disarm,
ribbons of
feathers linked
to ancient mysteries
 
 
ANOTHER BIRD GODDESS
 
her image in clay,
she is dancing
with other women
with egg shaped bodies.
In her house, pomegranates,
the fruit of the dead.
Where new fresh
life waits in
the womb of
the divine feminine,
blossoming stems
of vegetation
sprout from her hands

 
 
 
Lyn_at_horse_museum_close_small
Lyn Lifshin at the Horse Museum
 
Lyn Lifshin has published over 140 books and chapbooks and edited three anthologies of women’s writing including Tangled Vines that stayed in print 20 years. She has several books from Black Sparrow books. Her web site, www.lynlifshin.com shows the variety of her work from the equine books, The Licorice Daughter: My Year with Ruffian and Barbaro: Beyond Brokenness to recent books about dance: Ballroom, Knife Edge and Absinthe: The Tango Poems. Other new books include For the Roses, poems for Joni Mitchell, All The Poets Who Touched Me; A Girl goes Into The Woods; Malala, Tangled as the Alphabet: The Istanbul Poems. Also just out: Secretariat: The Red Freak, The Miracle Malala and Luminous Women: Enheducanna, Scheherazade and Nefertiti. web site:www.lynlifshin.com

 
 

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EXCESS HUNGER. A Poem by Steve DeFrance

 
 
Early in the morning
the day after Thanksgiving,
I bleakly regard my fellow patrons,
squeezed from surrounding tract homes.
 
They had nudged out & stumbled away
from frightened lives.
They stand at the restaurant wall
looking at grease splattered
“Especials.”
These accidental victims of excess,
butts bulging, thighs dropping,
ruminate on pancakes or burritos
chorizo or bacon, tacos or tuna salad
eggs with hot chili. or coffee, tea, or Cerveza,
 
They order—filling an emptiness,
jockey for a seat overlooking a sea of hybrid
station wagons plastered with “baby on board” signs.
These folks dying of cancer, or filled with divorce,
or worse yet, homes infected with lies that kill,
homes of infidelity, homes of indifference,
homes one plots to leave,
homes with children without parents,
or worse yet–with twisted parents
looking ordinary—but living on rape,
or blood or tears on the mattress,
as suns come up & moons go down.
 
You don’t know how to love them,
or pity them. They simply are—and they leave
no apologies for their pain, your eyes glaze over,
as you too stare at the parking lot.

 
 
steve-defrance

 
 

Steve DeFrance is a widely published poet, playwright and essayist both in America and in Great Britain. His work has appeared in literary publications in America, England, Canada, France, Ireland, Wales, Scotland, India, Australia, and New Zealand. He has been nominated for a Pushcart Prize in Poetry in both 2002 and 2003. Recent publications include The Wallace Stevens Journal, The Mid-American Poetry Review, Ambit, Atlantic, Clean Sheets, Poetrybay, Yellow Mama and The Sun. In England he won a Reader’s Award in Orbis Magazine for his poem “Hawks.” In the United States he won the Josh Samuels’ Annual Poetry Competition (2003) for his poem: “The Man Who Loved Mermaids.” His play THE KILLER had it’s world premier at the GARAGE THEATRE in Long Beach, California (Sept-October 2006). He has received the Distinguished Alumnus Award from Chapman University for his writing. Most recently his poem “Gregor’s Wings” has been nominated for The Best of The Net by Poetic Diversity. for further work by Steve De France see Poetry Life & Times & www.motherbird.com

 
 
 
 
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Twenty Four Seven. A Poem by Robin Ouzman Hislop

 
Donde se liberan titled by hijacking planes
debate Kenya gave act el nihilismo NYC
had a secret after
to Strike un momento determinado
actor important cattle to los hechos
the suspicious individuals on potenciales experiencia de el seno
Most of his flight.
 
Most his flight. Maasai tribe of ocho años después de la versión
Agravación de targeting NYC.
Michael would be later periodista que claim
and they donde surge la humanidad demuestra
donde quiera que recorren el mundo una agravación.
 
Another nearby attacks. Another nearby attacks.
 
Hijackers en revista el terrorismo aparece
the Center’s most famous Jackson had a criminalidad se desarrolla.
Authorities did not America as aid, did not America as aid.
The CIA se produce social sufre cambios dio inicio
a building that collapsed
donde President George comienzan a degradarse but overslept.
 
Comienzan a degradarse but overslept
in sobre on his valores y social targeting NYC,
possibly office on sobre el tema but overslept.
 
7 meeting at the another nearby attacks.
In US “saying morales donde triunfan was later found World Trade Center, Odnako.
Found World Trade Center, Odnako. Revista rusa.
 
James la veracidad en un artículo el cinismo y las relaciones
– pasa America as aid.
– pasa most of his flight.
14 of their 25th floor of Odnako.
 

 
Robin Portrait July Sotillo 2016 by Amparo
 
Robin Ouzman Hislop, born UK, a reader in philosophy & religions, has travelled extensively throughout his lifetime but now lives in semi- retirement as a TEFL teacher and translator in Spain & the UK.
 
Robin was editor of the 12 year running on-line monthly poetry journal Poetry Life and Times. In 2013 he joined with Dave Jackson as co-editor at Artvilla.com, where he presently edits Poetry Life & Times, Artvilla.com, Motherbird.com.
 
He’s been previously published in a variety of international magazines, later publications including Voices without Borders Volume 1 (USA), Cold Mountain Review (Appalachian University, N. Carolina), The Poetic Bond Volumes (thepoeticbond.com) and Phoenix Rising from the Ashes (a recently published international Anthology of Sonnets). His last publication is a volume of collected poems All the Babble of the Souk available at all main online tributaries

 
 
 
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A Video Poem by Tony Martin-Woods

 
SWEET LITTLE SPERM
 

 
 
tony republic
 
 
Tony Martin-Woods started to write poetry in 2012, at the age of 43, driven by his political indignation. That same year he also set in motion Poesía Indignada (Transforming with Poetry), an online publication of political poetry that he edits. Tony is a political and artistic activist who explores the digital component of our lives as a means to support critical human empowerment. He is also known in the UK for his work as an academic and educator under his non-literary name. He writes in English and Spanish and has published his first volume of poetry Los viajes de Diosa (The Travels of Goddess) 2016.
 
 
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The Mirabeau bridge. Video Poem to Music by Vishal Experimental Factory

 
” Lyrics are the poem “le pont Mirabeau”of Guillaume Apollinaire from the poetry book “Alcools”

 

 

 
 
 
 
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