Art Posts

Abstract Art Images

This is the last oil I painted. It had many forms and shapes over the years for I liked it, didn’t like it many times and added paint again and again.
Abstract art images or, as I call them, shapes are my passion.
I have always called it abstract shapism. Others call it that now. These images have been on the net since 1996. My art was at Artcrawl because Robert Varner noticed me in 1997. He is the founder and owner of DoubleTake Gallery, Fine Art Consignments. Since 1997 I have not met a more honest company and a finer person on this internet.

I also call this abstract image The Stairway painting because it has lifted me up somehow. It is truly reaching for something whether I achieved it or not.
It is the reaching, the stairway that is important. Abstract art is a denial, a rebellious act. Often the rebellion looks like everybody else’s rebellion. This certainly doesn’t look like a stairway, maybe it’s a weird flower to you. When I succeed, the image is different things to different people.
“I see a cow” is a perfectly great reaction to a great abstract shape. That is why my abstract images have shape. Here is another shape:

and another:

What do you see? If your imagination is at work then I have succeeded!

David Michael Jackson is the painter, author and publisher of Artvilla. These abstract art images are of his art. His site is at Modern Art Paintings and Images      email is editors@artvilla.com.

david michael jackson 4/11/2012

Abstract Dancer Painting

I have to call him something on this internet. It doesn’t let you get away with “Blue and Green Number 12” or some other stupid modern name. He has to be named something that somebody will ask for. Chances are you asked for him. If he’s not an abstract dancer painting then you can go look at one of those that look like dancers that somebody painted weird colors.
Maybe he’s an abstract bear or something else but he’s an abstract dancer painting now and he’s going to have to take his chances there.

I’m an internet artist and people are going to see me whether they like me or not! Come to think of it, how is that different from a museum. I sneak around with my keywords and people visit my museum called Google.
People see my art and it’s not wasted nor does it wait to be declared worthy.
Maybe one of my images will inspire someone somewhere.

david michael jackson May 1 2012 editors@artvilla.com
Modern Art Paintings

The abstract paintings that I have been familiar with all seek to gain new insight into the realm of art. These artists include:

Josef Albers,Alexander Calder, Paul Klee, Wassily Kandinsky, Franz Kline, Willem de Kooning, Lee Krasner, Joan Miro, Piet Mondria, Georgia O’Keeffe, Jackson Pollock, Mark Rothko, and Frank Stella.

It is hard to ignore their contributions to our search for the perfect abstract. I have sought to search for something even though it is always unclear what that is. An Abstract artist does not start with a “something” to paint and yet I have obviously found real things that my art resembles. In naming abstract paintings, the artist looks for realism in the names. Finding a name other than “Abstract Blue Number 26” is hard to do. The artist had no intention of realistic painting but a name has to be found.
It is said The most celebrated and famous abstract artists are masters of their form. Early pioneers, such as Kandinsky and Delaunay experimented with color, shapes and symbols. Later in the century, in the creative explosion that was abstract expressionism, artists such as Mark Rothko and Jackson Pollock demonstrated new ways to make art and, with their huge canvases, gave us new ways to experience it. Pollack’s “Drip Paintings” became the foundation of our thinking of both modern art and modern abstract paintings. The large canvas became the norm. Museums are large places and large canvasses are appropriate. A museum was as far away from my thoughts as they were to Van Gogh or other earlier artist whose work is small, like my abstract paintings.

My concern with the abstract painting of the past is the lack of form. The paintings tend to cover the canvas uniformly and the thought of a “background” is a thought that I like. Form is an important part of my abstract paintings. Most of my abstractions have both a shape and a background. I sometimes seek to create paintings in which the viewer can participate. By participate I mean the viewer can see real things like making shapes out of clouds. If I create an abstract paintings which you think looks like a dog and I think looks like a rabbit, then I have succeeded.