Poems with Art | Poems by M. Earl Smith | Art by 3valynn

poems-with-art

M. Earl Smith, is an undergrad at the University of Pennsylvania.

He brings poems that were paired with abstract paintings composed by a three year old artist who works under the pen name “3valynn”.  You can view her artwork and the book HERE.

Violet Frenzy

 

Violet Frenzy

The drums sound the song

Of battle, intense, inviolate

Caught in a storm of color

A frenzied storm of violet

An enemy thus unseen

Blind to the naked eye

What is this that should be?

Our destiny we cannot deny

So on the brave soldiers march

Into the shroud of darkness

Mindless to political demarche

The time is upon us

This war, however

Is not built upon hate

Only love, now and forever

Shall be humanity’s fate

Some battles are fought

Over space, resources and land

Some people are sold and bought

For whatever the world commands

But this is a tale of joy

A poem of unrequited love

There is nothing in the deep violet

That can force this undone

Diamond Candy

Diamond Candy

Every girl’s dream

A jewel that she can bandy

A woman’s best friend

A piece of diamond candy

The light refracts the jewel

Fracturing the light about

Show it to all her friends

Her diamond candy she will flout

Pink and blue the colors

That tell us who we are

Yet every girl knows

Diamond candy shines like a star

White line, twisting path

Of which we must explore

Every girl begs

Diamond candy, give me more!

So if you want to know

A way to a girls heart

You have to know her favorite

Diamond candy, thou art!

Primary Ambition

Primary Ambition

The dawning of a new day

A chance to start anew

The path of a middle way

Colors, fresh and true!

Paint touches canvas

Giving us something fresh

No need to have planned this

Art put to the test

Each color with a meaning

This art, pure emotion

Creativity through is seeping

A muse that demands devotion

This art, an unnamed feeling

Joy and serious, true

An artistic endeavors dealing

A talent held by few

There’s no way we can know

An artist’s true intention

One thing for which we must go

Is their primary ambition

Snow Queen

Snow Queen

Her title

Betrays the trust

That her subjects have

In her

To do her best

To care for them

To protect them

To do what’s right

To do what’s fair

To do what’s just

So, the snow bears down

Blanketing the land

In a sheet

Of the purest white

It does so

Only at her command

So that the children

Can play

In snowdrifts

As high as city walls

And spend their day

Lost

In a cloud of white

Summer Daze

Summer Daze

Summer daze

Bright color craze

Try to change

Trying to say sane

Colors love me

Orange and peach cry

So in love

With the summer sky

Summer daze

Covers the town

No chance to laze

The king needs his crown

Makes me happy

Makes me free

I can’t wait to see

What it’s gonna be!

Summer daze

Lights up my eyes

Makes me smile

As the evening dies

Come tomorrow

It’ll return again

Then we’ll be

Off to Neverland!

Streamers

Streamers

The ticker-tape parade

Rings in the new year

Time to celebrate a year from another day

The air full of streamers

A joyful celebration

Of a time a year ago

A time for utter elation

As we await the future to unfold

The colors fill the air

As the party carries on

Life is all but fair

As we sing that ole happy song

Hugs to go around

As we love our fellow man

A bright, joyous sound

As life, it seems, starts again

So let’s ring that old bell

And gather once again

Sing it over every hill and dale

The new year has began!

Janet Kuypers’ “Thoughts on Peace” 8/6/16 peace (and vegetarian) themed poetry feature/show

    Below are text links and video links from a August 6th 2016 (8/6/16, or 20160706) poetry performance (with background rain forest noises to accompany the readings) of Janet Kuypers’ Austin poetry feature through Expressions (of Peace)! at Austin’s the Bahá’í Center in Austin, Texas hat incorporated poetry about peace into a show. Kuypers opted to sit in the lotus position on stage for the performance (and sat o a raised platform so audience members could see her during the live show).

    Because this was a peace-themed performance, Kuypers started the show talking about the Egyptian Goddess ISIS in comparison to what we now know as the Islamic State of Iraq and Syria, but transitioned into talk about peace to all living creatures (like animals, and being a vegetarian) with portions of her editorial from cc&d’s v249 21 year anniversary book Invisible Ink, until she ended with two poems on being a vegetarian. Kuypers also thought a appropriate title for her show would be “Thoughts on Peace”, especially because she ended the show with a poem that ends cutting in mid-sentence with “and I thought:” — where she sat for a moment in the lotus position like she was going to continue, then she closed her eyes and bowed her head as the entire center remained in silence until the rain forest music started to fade and she opened her eyes and said “thank you”.

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    Before the show started she also released copies to most some of the audience there of a chapbook of the writings she was performing in her show (in the order they were performed). All of the pieces from this reading were also released electronically in a “Thoughts on Peace” chapbook, which you can download as a PDF file for free any time.

Here is a listing with links to all of the writings performed in this live show:

Queen ISIS (battling for peace)”
Choices We Make
Everything was Alive and Dying (2016 cruelty to animals edition)
On a High Horse Like This

Janet Kuypers’ “Voting for Change” 7/2/16 politically themed poetry feature

    Below are video links from a July 2nd 2016 (7/2/16, or 20160702) poetry performance (with accompanying guitar music by John) of Janet Kuypers’ Austin poetry feature through Expressions 2016: Poets Parliament! at Austin’s the Bahá’í Center (at 2215 E M Franklin Ave, Austin, TX 78723) that incorporated poetry into politics (and potentially solve political problems poetically). Because political pundits and talking heads are on many 24-hour news channels, Kuypers opted to “show” herself in tis show as a “talking head”, by not only remaining seated (like an anchorperson) but also filming herself on stage and simultaneously broadcasting her “performance” on a television right on stage next to her… Because in the past, when she has done this in Chicago shows, she learned that most audience members, like the average American, are often more fascinated with watching a television screen than watching a person live on stage.

    Because this was a politics-themed performance, and because the usually give away stickers to p[eople after voting to show the world they voted that day, Kuypers thought a appropriate title for her show would be “Voting for Change” (since a third party never can make enough money to spend their way into position in this country, there are usually only two viable candidates for any position, which usually forces the voter to chose between the lesser of two evils whenever they enter a polling booth).

    Before the show started she also released copies to most everyone there of a chapbook of the writings she was performing in her show (in the order they were performed), and all of the pieces from this reading were also released electronically in a “Voting for Change” chapbook, which you can download as a PDF file for free any time.

    Below are video links to the live performance of “Voting for Change” at Expressions 2016: Poets Parliament! in Austin.

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Here is a listing with links to all of the writings performed in this liveshow:

True Happiness in the New Millennium (2016 edit)
Orders
The State of the Nation (2016 edit)
Everything was Alive and Dying (2016 political edit)
a Great American (2016 edit)


Janet Kuypers’ “Obey” 6/4/16 female-themed poetry feature

Below are video links from a June 4th 2016 (6/4/16, or 20160604) poetry performance of Janet Kuypers’ Austin poetry feature through Expressions 2016: June is a Woman! at Austin’s the Bahá’í Center about being a woman, and about what women go through. Because she happened to see this spray-painted word on the side of the road this spring (when construction workers often write single words down to indicate things like where power lines are under ground), she had to take pictures with the word she saw, and she therefore decided to title this show “Obey”. In this show she also ran repeating images projected on the screen behind her of her drawings of woman alternating with her edited “Obey” images, and sampled in the background during her readings were instrumentals from 3 tracks from the Laurie Anderson album release, “the Ugly One with the Jewels”. She even explained to the live audience after the show that she even chose to wear a flapper dress for this show, because (A) that time period reflected the time just after women gained the right to vote in the United States, and (B) this clothing was the irst obvious sign of women wanted to stand on their own (and enjoy themselves too). It didn’t hurt that in Kuypers’ animation in her show (like doing the twist or jumping on a hotel bed, or even with her animated gestures during all of her performance), the fringe one her dress would exaggerate her movements as well.

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Before the show started she also released copies to most everyone there of a chapbook of the writings she was performing in her show (in the order they were performed), and all of the pieces from this reading were also released electronically in a “Obey” chapbook, which you can download as a PDF file for free any time.

Read her haiku poems
progress,
extend,
falling,
civil,
and greatest,
then read her poems
Earth is a Topiary (her 1st of 2 poems where she used a voice modulator to reads parts of her poem in a male voice),
On Becoming a Woman (an editing and expansion of her 1999 poem Becoming a Woman),
Viewing the Woman in a 19th Century Photograph (an editing of her 1991 poem Photograph, Nineteenth Century and her 2nd of 2 poems where she used a voice modulator to reads parts of her poem in a male voice),
Content With Inferior Men, portions of her poem
In The Air with slightly altered wording, and
Oh, She Was a Woman (an editing of her 1997 poem She Was a Woman).

(Thanks to Thom for some photos from the event.)

Janet Kuypers’ “Love in the Universe” 5/7/16 poetry feature

May 7th 2016 (5/7/16, or 20160507) poetry performance (with accompanying guitar music by John) of Janet Kuypers’ first scheduled Austin poetry feature through Expressions 2016: Reasons to be Cheerful at Austin’s the Bahá’í Center (at 2215 E M Franklin Ave, Austin, TX 78723) after her move, and because this was also her wedding anniversary, they started the evening with her and John singing the song friends performed at their wedding — Depeche Mode’s “The Bottom Line” (with altered chorus lyrics for their wedding). So enjoy this set os poems (set to music in the show) about not only astronomy but also love, in “Love in the Universe”.

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    All of the pieces from this reading were also released in a “Love in the Universe” chapbook, which you can download as a PDF file for free any time.

Watch video, or read Janet Kuypers in her 5/7/16 show “Love in the Universe” in her first scheduled feature at Expressions 2016: Reasons to be Cheerful in Austin first singing (with John singing and on guitar) the Depeche Mode song The Bottom Line (with altered chorus lyrics for heir wedding), then with her poems Pluto, Plutonium & Death (a bonus Periodic Table poem), her haiku universe, observer’s love poem (2016 edit), everything is my home, Wanted To Play, and electricity.

(And thanks to Thom for the photos from this live event!)