LIMIT
The woman watching the see is blind. For her, the sea waves are the soul waves.
From now on, the chopped light of the immense water container is what she will see
running deeper and deeper inside herself.
The blind woman and the ship that could never sail are of the same age.
The ship and her last lover have the same farsightedness.
Her last lover was a sailor and a fool. He heard only the melody
coming from the beating stick, turning a deaf to ear to all the island’s playing drums.
The blind woman and her last lover loved the flute sounds at dusk.
He never told her that the sea light had the shape of his destroying love for her.
However, she would willingly pretend that she had understood him.
She feared that he might also go blind if she told him the truth.
HIS WIDOW
His widow will continue to live her earthly years under the shadow of the emperor’s courtyard.
He, the most wonderful tree, left her soul empty with the crowds still conquered by him.
The crowds always look at his widow as a mantel of leaves.
When the blossoms wither, the mantel ceases to exist. At this moment even the crowds stop thinking.
In spring the mantel rejuvenates again. His widow gladdens because of the freshened memory of the citizens who never knew the dictator.
His widow loved the crowd and the leaf.
They both have short memory.
HE
He will not be able walk out of the house where he and the Eagle stay imprisoned.
He is there, and the guitar sounds coming from beyond the window, though tempting,
fail to encourage him.
He and the Eagle love and hate each other infinitely.
She will not pluck his eyes out, for he has given up watching since his childhood.
To both of them, light particles are as strange as colors.
She will not blind him, and he will cry one day, he will cry a lot because of her farewell.
At that moment he will be a child conscious of his loss, while the fir-trees will throw
thick shadows over the sadness of the undiscovered oases.
Alisa Velaj has been shortlisted for the annual international Erbacce-Press Poetry Award in UK in June 2014. Her works have appeared in more than eighty print and online international magazines, including: FourW twentyfive Anthology (Australia), The Journal (UK), The Dallas Review (USA), The Linnet’s Wings (UK) The Seventh Quarry (UK), Envoi Magazine (UK) etc etc. Velaj’s digital chapbook “The Wind Foundations” translated by Ukë Zenel Buçpapaj is published by Zany Zygote Review (USA). Her poems are also translated in Hebrew, Swedish, Romanian, French and Portuguese. Alisa Velaj’s poetry book “With No Sweat At All” (trans by Ukë Zenel Buçpapaj) will be published by Cervena Barva Press in 2019.
Robin Ouzman Hislop is Editor of Poetry Life and Times his publications include All the Babble of the Souk and Cartoon Molecules collected poems and Key of Mist the recently published Tesserae translations from Spanish poets Guadalupe Grande and Carmen Crespo visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds) and his latest Collected Poems Volume at Next-Arrivals
Month: October 2018
14 Haiku by Anum Sattar
cooking
spoilt apples
to fill a pie
چوڑیاں
mother blames the glass
for cutting her fat wrists
Glass bangles (Urdu: چوڑیاں ) are ornaments worn by South Asian women in Pakistan, Nepal, Bangladesh and India.
freshly picked apple
sliced in half–
a railroad worm
courtesan unfolds a fan—
bird of paradise
on display
rotten tomatoes
afternoon sun
covered by clouds
giant silk moth –
hidden
in the night
between the long legs
of a sandhill crane –
a newly hatched colt
fallen off a kathal tree –
the spiky jackfruit
softens
after watering
the lifeless stone
sprouts a yellow flower
scared sea turtle –
unable to curl
into a shell
vaginal discharge –
olive oil from fish
soaks my paper towel
pinnate prairie :
yellow petals –
then an erect cone
candy floss at the zoo —
a greater flamingo
stands on one leg
unhooking the barb
from the swollen lip
of a struggling carp
Anum Sattar is a senior studying English at the College of Wooster in Ohio, USA. Her poems have been published the American Journal of Poetry (Margie,) Triggerfish Critical Review, Blithe Spirit, The Mythic Circle, HOBART, SurVision Magazine, Literary Juice, Coal City Review, Crack the Spine, Lowestoft Chronicle, Taj Mahal Review, FIVE 2 ONE: An Art and Literary Journal, The Linnet’s Wings, Ragazine, Better than Starbucks! The Florida Review, Grey Sparrow Press, Oddball Magazine, Artifact Nouveau, Off the Coast, Strange POEtry, Between These Shores Literary & Arts Annual, Conceit Magazine, A New Ulster, The Cannon’s Mouth, The Journal of Contemporary Anglo-Scandinavian Poetry, Wilderness House Literary Review, Poydras Review, The Cadaverine, Verbalart: A Global Journal Devoted to Poets & Poetry, The Wayne Literary Journal, The Ibis Head Review, Avocet: A Journal of Nature Poems, Poets Bridge, Deltona Howl and Tipton Poetry Journal. She won the first Grace Prize in Poetry and third Vonna Hicks Award at the college. Whenever possible, she reads out her work at Brooklyn Poets, Spoonbill and Sugartown Bookstore, Forest Hills Library in New York City and the Cuyahoga Valley Art Center at Cuyahoga Falls, OH. And she was recently interviewed at Radio Free Brooklyn.
Facebook: https://www.facebook.com/anum.sattar.16
Poets & Writers: https://www.pw.org/content/anum_sattar
‘Rock Star Poet’ at Radio Free Brooklyn: https://www.podomatic.com/podcasts/truthtopowershow/episodes/2018-02-06T11_38_07-08_00
AWP Directory of Members List: https://www.awpwriter.org/community_calendar/user_view/84258
Robin Ouzman Hislop is Editor of Poetry Life and Times his publications include All the Babble of the Souk and Cartoon Molecules collected poems and Key of Mist the recently published Tesserae translations from Spanish poets Guadalupe Grande and Carmen Crespo visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds) and his latest Collected Poems Volume at Next-Arrivals
5 Guru Poems by Christopher Barnes
(i)
An Unpaused Hour
Nine tings chase sanity.
Our guru twiddles
A crow’s sequined wings.
Passions jump off wheezes,
Dashed at the holdall’s flames.
Breath-sucks gyrate the room.
(ii)
Bar 64
A Jagger-lipped ox
Smirks in its float-bowl.
The lampstand’s crimsoning.
“Quirks,” underbreaths our tiddly guru,
“Aren’t without their suns”.
(iii)
Breakfast Ritual
Our guru tub-thumps Ouija learning
Into an atom that coggles.
The rubber shark’s dulceting
“Mack The Knife”.
The Ground Of Being’s egohood
Watusi’s tailwards.
High-muckety, we TLC our sanctified protocols.
(iv)
Financial Break, No Cheques
This megacosm flumps –
An undisplayable apparition.
We’re diluted by marvelment.
The journey’s butt is an oblivion-fresh
String-puppet butterfly
That coaxes dust
In the attic of our mind fuzz.
Our guru belches –
A pixie’s stage whisper.
(v)
The Mediator’s Art
You’ve unfolded these Vanity Fair bodies
Spanning into destiny’s lap.
Poppycock has no improving.
Thighs of our guru’s apostles
Shall be gunked
By Dolly, the sponge-puff mermaid.
Xanadu’s here, well-earthed.
In 1998 I won a Northern Arts writers award. In July 200 I read at Waterstones bookshop to promote the anthology ‘Titles Are Bitches’. Christmas 2001 I debuted at Newcastle’s famous Morden Tower doing a reading of my poems. Each year I read for Proudwords lesbian and gay writing festival and I partook in workshops. 2005 saw the publication of my collection LOVEBITES published by Chanticleer Press, 6/1 Jamaica Mews, Edinburgh.
On Saturday 16Th August 2003 I read at the Edinburgh Festival as a Per Verse poet at LGBT Centre, Broughton St.
Christmas 2001 The Northern Cultural Skills Partnership sponsored me to be mentored by Andy Croft in conjunction with New Writing North. I made a radio programme for Web FM community radio about my writing group. October-November 2005, I entered a poem/visual image into the art exhibition The Art Cafe Project, his piece Post-Mark was shown in Betty’s Newcastle. This event was sponsored by Pride On The Tyne. I made a digital film with artists Kate Sweeney and Julie Ballands at a film making workshop called Out Of The Picture which was shown at the festival party for Proudwords, it contains my poem The Old Heave-Ho. I worked on a collaborative art and literature project called How Gay Are Your Genes, facilitated by Lisa Mathews (poet) which exhibited at The Hatton Gallery, Newcastle University, including a film piece by the artist Predrag Pajdic in which I read my poem On Brenkley St. The event was funded by The Policy, Ethics and Life Sciences Research Institute, Bio-science Centre at Newcastle’s Centre for Life. I was involved in the Five Arts Cities poetry postcard event which exhibited at The Seven Stories children’s literature building.
The South Bank Centre in London recorded my poem “The Holiday I Never Had”, I can be heard reading it on www.poetrymagazines.org.uk/magazine/record.asp?id=18456
REVIEWS: I have written poetry reviews for Poetry Scotland and Jacket Magazine and in August 2007 I made a film called ‘A Blank Screen, 60 seconds, 1 shot’ for Queerbeats Festival at The Star & Shadow Cinema Newcastle, reviewing a poem… On September 4 2010, I read at the Callander Poetry Weekend hosted by Poetry Scotland. I have also written Art Criticism for Peel and Combustus Magazines. I was involved in The Creative Engagement In Research Programme Research Constellation exhibitions of writing and photography which showed in London (march 13 2012) and Edinburgh (July 4 2013)
Robin Ouzman Hislop is Editor of Poetry Life and Times his publications include All the Babble of the Souk and Cartoon Molecules collected poems and Key of Mist the recently published Tesserae translations from Spanish poets Guadalupe Grande and Carmen Crespo visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds) and his latest Collected Poems Volume at Next-Arrivals
Paid For. A Poem by Mercy Eni Wandera
The way she moves, magnificently strutting with a purpose
No lazy strides in red bottoms
The way she sits her ample behind
as if posing for the Vogue cover
The way her darting tongue swirls from her bright cherry lips
On her straw sipping on her Bloody Mary
The way her aromatic aura wants for attention
Having doused herself in Femme Fatale, her signature lavender fragrance
The way she crosses her curvy legs and her skirt rides up her thighs to reveal grazed knees
Thighs so thick everybody’s uncomfortable
The way the summer breeze caresses her gleaming brown skin
She sits by the pier and pets her fluffy chihuahua with her painted stiletto nails
Her back is worn out, all in a day’s work though
Still her whisky raspy laughter punctuates the laden ocean shore
She removes her Dior sunglasses to reveal the most enchanting pair of eyes
Bewitching windows that tell of ensnared souls unwilling to escape the abyss
The way she gazes into the horizon with a grin and a hooded wink
And sighs with contentment
That she finessed the gullible and the cynics alike
Her happiness has been guaranteed
This queen’s chaff is worth more than other women’s (s)corn
I am a young and upcoming budding writer. My biggest accomplishments in my less than a year worth of active writing have been being published in some of the biggest literary magazines like African Writer, Jalada Africa, Poetry Life & Times, and The Kalahari Review where I have won the Igby Prize for Non-Fiction. I have also been highly favored to start my personal blog (mercyonmeweb.com), which is my canvas that is always being filled with juicy storytelling, poetry and reviews.
Additionally, I am a lover of the arts, travel and pop culture, and an unapologetic feminist.
Robin Ouzman Hislop is Editor of Poetry Life and Times his publications include All the Babble of the Souk and Cartoon Molecules collected poems and Key of Mist the recently published Tesserae translations from Spanish poets Guadalupe Grande and Carmen Crespo visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds) and his latest Collected Poems Volume at Next-Arrivals
the last perfect day – a poem by RC de Winter.
there you are
another sunny day
you’ve woken up
and smelled the coffee
(and drunk it too)
now
ambling along aimlessly
you’re taking time
to smell the flowers
you think your life
is a hallmark card
everything smooth
as the surface
of a sunlit sea
on the calmest day
that summer can gift
there is no turbulence
not so much as a rocking wave
when the crusher hits
hurtling out of a sky as blue
as the mater misericordiae’s robe
you have only a moment
to blink
and think
but everything was so perfect
RC deWinter is a writer/digital artist whose poetry has been anthologized in New York City Haiku (NY Times 2017) and Uno: A Poetry Anthology (Verian Thomas, 2002). Her poetry has appeared in print in 2River View, Pink Panther Magazine, Another Sun, Plum Ruby Review, well as in many online publications.(including Poetry Life & Times: Editor’s Note) Down in the Dirt will feature two of her poems in its forthcoming Jan/Feb 2019 print issue. Her art has been published, too, and also used as set décor on ABC-TV’s Desperate Housewives. (Further Editor’s comment: I discovered RC on the Paper li Twitter journals & was immediatly impressed by her writing, i requested a contribution from her to which she graciously acceded to, see under Catorgories, we’re very pleased to welcome her return to PLT after a long absence.) Website: https://rc-dewinter.pixels.com/
Robin Ouzman Hislop is Editor of Poetry Life and Times his publications include All the Babble of the Souk and Cartoon Molecules collected poems and Key of Mist the recently published Tesserae translations from Spanish poets Guadalupe Grande and Carmen Crespo visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds) and his latest Collected Poems Volume at Next-Arrivals
100TPC. Co Editors Mark Connor & Antonio Arboleda. Anthology Online
100 Thousand Poets for Change (100TPC) is a worldwide artistic movement whose aim is to raise awareness about our man-made social, political, environmental, moral and economic crises.
Artists have an especial sensitivity and language, as well as a commitment to beauty, spirituality and truth and that is why Artists can and should make a difference in bringing people together and reinforcing their solidarity, with a view on transforming society.
This book was incepted as a digital initiative supporting the 2017 100TPC events across the World that took place on 30 September 2017 concertedly with Thousands of other Artists on the whole planet, including our own reading in Leeds, held in The Chemic Tavern in Woodhouse under the auspices of Word Club.
We have included poems by generous West Yorkshire artists who wanted to contribute to our cause by responding to our invitation with poems on: Revolution, War, Streets, Business, Nations, Equality, Politicians, Conquest, Racism, Love, Europe, Nature, Death, Life, The World, The Good, the Great, the Evil. The Human and beyond.
This is the second of a series of 100TPC published by Transforming with Poetry, this time in conjunction with Word Club.
Co Editors of 100 Thousand Poets for Change (100TPC) Leeds 2017. UK
Mark Connors:
Mark Connors is a poet and novelist from Horsforth, Leeds. His debut poetry pamphlet Life is a Long is a Long Song was published by OWF Press in 2015. His first full length poetry collection, Nothing is meant to be Broken was published by Stairwell Books in 2017. Mark won the Ilkley Literature Festival Open Mic competition in both 2014 and 2015 and has received a number of prizes and commendations for his short fiction. His debut novel Stickleback was published by Armley Press in 2016 and was longlisted for The Guardian’s ‘Not the Booker Prize.’ His second novel, Tom Tit and the Maniacs was published in 2018 by Armley Press. He runs spoken word nights for WORD CLUB in Leeds and comperes and performs regularly at Literature Festivals. He is a managing editor of the new independent publishing company, Yaffle Press, For more info visit www.markconnors.co.uk
Antonio Martínez Arboleda:
Antonio (Tony Martin-Woods) started to write poetry for the public in 2012, at the age of 43, driven by his political indignation. That same year he also set in motion Poesía Indignada, an online publication of political poetry. He runs the poetry evening Transforming with Poetry at Inkwell, in Leeds, and collaborates with 100 Thousands Poets for Change. Tony is also known in the UK for his work as an academic and educator under his real-life name, Antonio Martínez Arboleda. His project of digitisation of poetry, Ártemis, compiles more than 100 high quality videos of Spanish poets and other Open Educational Resources. http://www.artemispoesia.com/ . He is the delegate in the UK of Crátera Revista de Crítica y Poesía Contemporánea , where he also publishes his work as translator from English into Spanish. He published his first volume of poetry in Spanish, Los viajes de Diosa (The Travels of Goddess), in 2015, as a response to the Great Recession, particularly in Spain. His second book, Goddess Summons The Nation, is a critique of the ideas of nation and capitalism, mainly in the British Brexit context. It incorporates voices of culprits, victims and heroes with mordacity and rhythm. It consists of 21 poems, 18 of which are originally written in English. It is available in print and kindle in Amazon and other platforms.
Robin Ouzman Hislop is Editor of Poetry Life and Times his publications include All the Babble of the Souk and Cartoon Molecules collected poems and Key of Mist the recently published Tesserae translations from Spanish poets Guadalupe Grande and Carmen Crespo visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds) and his latest Collected Poems Volume at Next-Arrivals
A Robin Finnegan Poem. Video Audio Visual.
Adam and Eve – The fall: of a once wallstrait oldparr is retaled early in bed and later on life down through all christian minstrelsy. James Joyce Finnegan’s Wake: thunder in several world languages, including French (tonnerre), Italian (tuono), Ancient Greek (bronte) and Japanese (kaminari) –
(bababadalgharaghtakamminarronnkonnbronntonnerronntuonnthunntrovarrhounawnskawntoohoohoordenenthurnuk!) = 100 letter word. Editor’s Note.
Robin Ouzman Hislop is on line Editor at Poetry Life & Times and Co Editor at Artvilla.com and Motherbird.com. His publications include Voices without Borders Volume 1 (USA), Cold Mountain Review (Appalachian University, N.Carolina), The Poetic Bond Volumes, Phoenix Rising from the Ashes (an international anthology of sonnets) The Honest Ulsterman, Cratera No 3 and Wall Anthology, Aquillrelle.com. His recent works are three volumes of collected poems All the Babble of the Souk , Cartoon Molecules & Next Arrivals. A translation from Spanish of poems by Guadalupe Grande Key of Mist and Carmen Crespo Tesserae, the award winning (X111 Premio César Simón De Poesía), published through Aquillrelle., in November 2017 these works were presented in a live performance at The International Writer’s Conference hosted by the University of Leeds. UK. Further appearances are in the publications Aquillrelle’s Best, Aquillrelle’s Anthologies Selecting the Best and Aquillrelle’s Published the Best, all available at Amazon.com & main online distributors. He also appears in the recently published free online anthology 1000 Poets for Change. Leeds 2017, accessible now at Artvilla.com & Motherbird.com
Robin Ouzman Hislop is Editor of Poetry Life and Times his publications include All the Babble of the Souk and Cartoon Molecules collected poems and Key of Mist the recently published Tesserae translations from Spanish poets Guadalupe Grande and Carmen Crespo visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds) and his latest Collected Poems Volume at Next-Arrivals