Jumana. A Prose Narrative Poem by Allison Grayhurst (Parts 1 to 11)


Jumana

 

Part 1

 

            Those crazy days waking up to suicides and promises of camping trips. I needed to feel some warmth in all those corners of metal and skin, but I was not ready. So I waited. Crouching against the morning’s first light, I waited.

            Great surges of compassion always left me feeling inadequate, that’s why I avoided them. I could never really distinguish the difference between love and interference. So I waited, looking for words, left with nothing but the wait.

            For a long time now my life has burned under the rule of imagination. I crumbled in that harsh reality, unable to bear its demand. Imagination! I cried – Where am I to follow you? Over the hills, burying my face in a bundle of daffodils? No, I could not. So I leaned backward to balance the weight of the shadow. I knew imagination was not strong enough to feel the ecstasy of love’s touch. The pierce of blindness lifted (so many times). Again, it was the inadequacy that remained with me every waking hour.

            Then one day, came a wonderful thing. Love. At first there was such a rarity in its touch. But after a while I understood it had always been there, it just needed a focus to make itself apparent. At first, I didn’t believe, so I tried for a weapon in hope of seeing a sharpness behind its hypnotic glare. But nothing came. Only silence, and a rhythm, resting far beneath.

            So I hid, trying to conceal the wars that were bottled up and contained deep within. Then just like that, amidst my confusion, love called to me . . . It’s not what you have, but how you receive it! And I saw.

            There, my live was (rich in the deepest of senses) and still I stood with turned eyes. I pushed everything aside to be but one thing, to be confusion. But when he came into my life, the dull hysteria simply vanished. I relaxed. There was no more ugliness hovering over my eyes, slowly peeling them blind. I felt a crackle of horror, then it was gone. The tremble ceased. In that moment with full force, came freedom.

             Like a slap on the ocean’s ground, it came, rippling a great tide. The twisted face of misery lost its value. It was a miracle . . . to actually be plagued by nothing. There was no struggle, only sight. Only love. The seams of existence cracked, and along with them, the skeleton’s life I held and named from vast experience. I was alone, without potential, without hesitation. The panic of the heart, the scream of inner deficiency, all of that, past.

            How can I explain? It was the last solution. There was nothing else. It was the breakdown. So I said my testimony: How I attempted for life with a series of convulsing shocks. How I sought stimulation more than anything else. I admitted it all. It was then I knew – insanity would never set me on fire, no matter how hot it burnt. It just went on burning, stuck between the lips, waiting.

            I suppose I have always been the lucky one. My strength never lay in endurance, but in change. Yes, I have been lucky.

            I scrambled to the surface, touching the fine exterior. He brought me that, the touch. I let a tear escape. There was no whimper, only that solitary tear. It was the last solution. It was the breakdown.

            He sang. Sensing me inside my most secret attempt to care, he sang. Over and over, singing. Leaving only a soft lullaby, there, tenderly to guide my way.

                                               

***

 

Part 2

 

 

            All my life I have known, anything I ever touched I would have to desert. Now the moon, nothing but a fluff of glimmering haze, teases me. Though the stars are hidden behind clouds, I know the sky has watchers. Don’t they know? An artist never seeks to love or be loved, an artist only seeks to fall in love.

            They always told me to be careful of the small things that enter if the mind is allowed its own movement. But it has never been that way with me. It was always God that snuck upon me when I wanted to be frivolous, or in the very least, personal. Now there is only pain throttling inside my mind: The fire of the solitary pulse. Immortality is just a stain, and the belief in it, just vanity. Humble me. Humble me enough so I can learn.

            Will I stand forever; without fear, just the wind making sparks where it shouldn’t? Now there is only space. I am thrown to nothing with nothing in hand. I am infested with the hollow. How wickedly it scratches further in. All the time, further in. And this is the paradox: As I widen, the possibilities of who I might be, narrow.

            I never cared much for all the things the world is made of. I am bigger than this, was my shout – I am bigger, and I refuse to participate. They forced me to feel all these things then told me to write them down. As if, only then, I have really felt them. My validity to this existence? My blackboard?

            The sky belches forth its loudest cry, screaming in its torment the Ache. Even the expression of intensity must change. Even intensity can get boring – like an indulgence.

            I am called out to face the paradox: I am not a writer. I am not a lover. I am not a kind one. I am none of those things people are. Each day I retreat further away from the world because I do not like the things it brings. That is not hard, but to have none of the treasures of solitude? That is hard. I have exhausted myself into the abyss. I have no surplus and no special thing to call my own. It sounds ridiculous, but I guess I’ve always know it would come down to this – desertion.

            But now, as I touch it, even the experience of pain is snatched from me. All I have ever touched has grown tough and haunted. What will they do when they find out? Will they kill? Will they . . . laugh? A lifetime seems to pass by in one single day.

            Why could I never rest? Why the inner explosion each day? I wonder, is this the great difference between monks and artists? Monks hand over their lives to God, it is surrender. But with artists . . . God steals their lives away from them?

 

***

 

Part 3

 

            This is my amazement. The cold walker licking the earth, spitting salvia and squandering God for one breath of pleasure. This is my amazement. The one who walks, bag in hand, smile on face, happiness on the tongue. This is my amazement. Those two out there, holding hands, talking in moderation and quiet tones. I see them wrinkled. I see them profound, at peace, and rocking. Sleep will overcome them. Sleep will prepare their death. Death will not be a violation on their lives. This is my amazement. Those who wipe catastrophe away with tears and eventual overcoming. I abandon you.         

            To breathe in. To breathe out. This is my addiction. I may squint but I will never perish. Is this a place where none can follow? Is this reality? Reality is isolating. God, what hangs furiously? What hangs triumphantly? I have seen him. I have touched the arrow. It makes me long. It makes me suffer. How can I leave things equal? How can I hold this love and not be made small? Will this love reduce me? Will it make me an amazement?

            I am the dropping that warms the bird’s wings into flight. So must I admit the criminal? Weigh me down. Nourish me. My soul is pressed against an illusion. My soul has no patience for these things. The world is afflicted and I don’t care. Weigh me down. My soul has fallen in love.

            They built a bridge, a gateway. Love, the great revealer. But now I cry out my claim: Loneliness, I can bear. Love, I cannot.

            I am listless. The pressure sticks. The pressure of prophecy. Who will bleed their name on the sidewalk? Who is it that calls me into this love? Can’t I save the world and despise it at once? Can’t I give them a new truth even if I am a virgin to the old? Why do I pass this gate? I detest the union of blood against blood. The flesh sticks. The flesh hangs on. I have seen. I have tasted humiliation. I have tasted, fleeing full force into the darkness, where others feared but I knew only safety. Tell me, who cannot receive? Am I one of those?

            My caution always took the form of risk. I knew I was strong enough for any collapse, but success would leave me shattered. Anything prolonged bores me. Why make me this arrow? This is my amazement.

            So much has been sacrificed for certainty. The need for a constant fierce movement has denied me so much of ordinary life. Flare not mystery – that is my salvation. My jaw cracks through my flesh and names me wild. My soul has fallen in love.

            They made me a disciple of the rock. Now they bring me the wave. Now they bring the bridge into the outside world. Will I be filled with love just to know its torment?

            It is only brief. Like those, I will walk past, build my mountain, and then join its ground. Time outlives love. I have watched them in heavy labour. I have seen the course.

            No, your bridge is a faraway thing. I abandon.

 

***

 

Part 4

 

            What a difficult thing to gain back perspective. This is what I have come to discover: In the end even the most trusted of companions will fail you. Reality is isolating.

            I finally saw, my greatest fear was I wouldn’t get slaughtered. My greatest fear was that he would actually love me back. I never did have much tolerance for this thing called ‘joy’.

            But what calls me out? I know any true solitary person is never pathetic. Have I reached my threshold? Something passes over: Strokes of unexplainable depth; strokes of wonderment.

            Most of my life I have spent in preparation of love. My whole life has been nothing more than the re-assurance of my internal life. Every little thing out there was just the support-cast of my condition. I made this god with my every movement. This god, relied on me for its existence.

            My soul is lodged in discharge. My soul is radical, intolerant of worship, intolerant of love. Does deception live within the attitude of indifference? Is everything done in desperation, just the remnants of a lie? Does the door swing, swing, then let loose?

            My catalyst has always been force. But now they tell me – To burn is not enough. They tell me – Experience gives compassion. They tell me there is choice. They tell me – Your sensitivity is your strength. I tell them – But it’s killing me… They do not know. They do not understand.

 

***

 

Part 5

 

            If say, the cold war of uncertainty could pass me now… How can happiness be accompanied by such danger? I know the deathly feel of his kindness. I know the power of joy. I know of requital.

            Lovers can rise above their separate worth, so gently, lovers in love. I cry to be let loose. I feel like a child pushed into a mood of weakness. The undercurrent. What has suffered? What has broken its paralysis?

            Behind the sun lies the moon’s cool shadow just waiting to be born. But here, in bright daylight, I blink.

            I am witch, not a prophet. A coiler, not a flyer. I want to wriggle in the undercurrent with warmth and delight. I want to fall into the second depth of water. I am not a novice. I have gained the rite of passage. I pant for the undercurrent. I want to move my hand through the flame, to cup it, to say – I have touched without possession. I have touched fire, and I smile, unscorched. I want to tell them.

            This is not grey wisdom, this is the ape revised. The ape worshipped for its own power of evolution. The ape stands apart from the human; it is its own miracle. It is an urging, a scraping into the second depth where life is beautiful, where there is rescue and paradox means completion, where the impossible is natural.

            My mouth is a bread crumb offering the last of my riches. What is the price? Paying is no longer the question. Paying has tripped and fallen on the gravedigger. Paying is abolished. Now the wind flows between us. No ladder. No sacrifice. Now God and I laugh freely.

            I say love is the ultimate danger, the only safety. I say love is what is on the fringe of a scream. Anything unbroken, and yet, still falling. That is love. Love is what rests in the undercurrent. Love is the virtue that stretches itself . . .

 

***

 

Part 6

 

            I have already heard the news. But what is this? The pluck? I know what I seek. I am thick and tearful, but I will last. And he will see me shine someday. He does not know, but I like the sun. I like the afternoon with nobody around. And even as the seasons move from one thing to another, time will vanish. And seeing the leaves fall, the snow drift, the birds sing, we will not be able to call it ‘God’. It will be a period when people take on a new approach. Never again powdered. Never again snapped. Say, whirlwind. Say, love.

            The night outside twitters grey and used. But I have asked for freshness. I smell him everywhere. Stirred and spontaneous, we will be again someday. But where is he now? Locked in some cubicle he calls ‘dark hole’? An artist’s definition: to live this life in service. Just to have him say – I know.

            I have touched my existence through his tongue. He had my whitest offer, my prayer (no matter how subtle) he contained it all.

            I do not want to recover from him. But my instinct is to exile and it is hard. He does not know, but I have friction pumping into my pores.

            Today I wrote him a letter and it went like this…

Dear love, you were my greatest maturity. You tormented me from behind. You were my remembering. I bow to your wind – o my dart!

 

***

 

Part 7

 

            From the very first sight of him, I made him my friend. All my life I have tried to live by more than survival. These were the motions of insanity.

            Tuck me in the undercurrent where life is scarcely visible.

            They thrust us into a corner. Into the sullen mystery, and brought us presents too: a warm slice of death; a toy for safe keeping in our tougher hours of pain. What are we to do? We have no discipline, only hunger.

            Equality was pressing hard into the places I left open. I said – let me fall into you. I said – you trample on forsaken ground and that is why I love you. As soft as a broken limb.

            And I saw him like a hard knot resting in my throat. And I wanted to yell out. And I wanted to hold him close. But once (only once) and it’s gone forever. Against the movement. Against the cry. Isn’t love always the same love?

            There was not much to forgive, just to turn on the lights. He did not run away. I know, he just ran.

 

***

 

Part 8

 

            No one can touch as I coil away, secretly pleading for him to follow. No one can make amendments. Smile or curse, I smoulder alone. Solitude never lacks company, only commitment.

            Darkness sliced the worst of possibilities. But now, let me move my strength to this parable: What are the possibilities? Because he has failed me, has the whole thing been pointless? I commend his honesty, not his fear.

            I said – Fine. It is because I understood. But maybe that was the betrayal – Fine, I understand.

            My hands! Soon I will crush my skull between them crying out – Dedication! When I was in my room he told me – Swim, do not squirm. Do not squirm, bite down. But the force inside the squirm… didn’t he know?

            At seven o’clock tomorrow morning we’ll go looking for our tribe. I can picture it now, arm and arm, waiting for the street lights to go off, waiting for our god to come back home.

            These are my possibilities – reject of collapse. Every wisp of revolt has passed under my skin, and I multiplied. It was the striving, that was my psychology. Didn’t he know? I strove and nothing more. I have tasted love. I have tasted betrayal; walking down lone dark streets, praying to my god to make it home. Is this what I deserve, all wrapped up in fire and cloth, beating my head against my hands? Is this what I deserve, pounding on hardened walls, softly?

 

***

 

Part 9

 

            I long hid in the ocean’s core chanting for people to pass. I was free to dominate. I was free to escape. I knew my condition. I hid, I plotted. I killed my loneliness. I served my brightest star. My personal sun. In my cave, I was capable of ambition.

            Then they called out to me – Marriage. I heard the echo of belief. In my darkness prowled an intruder. I longed to rouse his temper, to find, to destroy, him. But he had patience. He whispered. So I consented and asked for only one thing, a quick death. I cried – I am not a monk, I am a human being. I made the wind rise. I pierced my own wound.

            But my sun did not know how to die. Once my sun, now my enemy. It was godlike. It was innocent. It must be overthrown. But how? When he has walked away? Why give me the vision then demand me to desert it?

            They showed me a ghost. My lover was a phantom and still they said – Follow him. How was I to revolt, lay down my solitary flag for a phantom? Was I to defend a kingdom that vanished the moment it was touched? They asked me to invade. They asked me – one who is weary, one who has never tasted soil. So I defeated my sun and was rewarded with dust. Not even my sun’s own ashes, just the dirt of another world – that was my prize. They handed me sand and said – Now build. Now construct.

            My sun would not forgive. It sentenced me a traitor. Such bright things do know forgiveness. To it, every moment is immortal. It does not pass, but remains. My sun lives outside of forgiveness. It banished me. It must be overthrown.

            Again, I was deceived into the taking up of arms. Again, I was made a ploy, a heretic for a cause I only glimpsed and never chose. It struck me down.      

            Never again will I stand tiptoe on the face of the earth and dream of my strength. I am such a tiny thing, struck, stuck.

            In the name of this riddle, exhausted, I decline. Now show me: What are my instructions?

            “To live without him.

            And still, even harder,

            to love without him.”

           

***

 

Part 10

 

            He left me a monument, something I promise to carry, no matter where the journey leads. I spent my life pivoting on God – that has been my only relationship. Maybe in knowing him, I found a cause. Maybe, I am blessed.

            I walk in silence. Freedom has only shown me its face when I yielded. Healing happens in layers. No more relapses. No more jagged movements. Retrograding is for the stars, not for the soul.

            I made my spirit a swamp. I encroached, I devoured. Then they came, found me with my delicacies and made me an outcast. It was the only way.

            I long lived on the doorstep, sucking in what wasn’t mine. I was induced by the smell of my prey. I loved its illness. I became pregnant with its sick flavour. But now, my soul relies on something different. Now my soul is devoted.

            There is nothing that threatens me now. My solitude is not a threat. To know him still stings, but just like that, in layers, it will ripen into something yet unnamed. Have I been given my last chance? Still I lay, wondering.

            Two massive waves colliding, that was what I knew. Then love passed my way, telling me of fantastic things. Telling me – Unless you believe in magic, your life will be empty of it. Telling me of a place where I belong, where the rigid eye does not accuse and nothing resigns itself to being foul and scabby, and yet, is foul and scabby. A place where pity has vanished.

            All things must be complete when they unite. People must not tempt with the lukewarm, it is only unsatisfying. To touch everything with only half ourselves, that is the human destruction. That is what is subtle and disastrous. We always tempt with the half-made. We are not willing to make room for ‘the full’. It is the doctrine of pleasure, the doctrine of war.

            I know of capacity. I now know of potential. I hear the chants of my tribe. For a long time we have been separated. We ramble only because we have lost our language. Centuries have made us foreign. But we will be delivered. The hunger will deliver. And when it does, we will be delivered from it, never to hunger again.

            There is inability in being born just an artist. Will they call me outgrown? Will they crack me and name me inaudible? In the end, I wonder.

            How strange it is to be a soul on this earth. How strange it is to finally know: After all the shaking of bars, I was never captured. How strange it is to know, and then to lose, love.

 

***

 

Part 11

 

            The answer, I wanted to say. But I grew numb mute in this understanding. And I fell. I fell to my knees in ceaseless wonder. I fell in love.

            This news is all I have.

            He must have been an angel, an angel who could avoid the storm, who could dodge raindrops. But now his mission has passed. There, look out on the street, it is him walking, running away. Say, love. Say, remarkable!

 

            I was never converted. I was only stretched.

 

            ***

 

 

Copyright © 1989 by Allison Grayhurst

 

 

 

Bio: Allison Grayhurst is a member of the League of Canadian Poets. Three of her poems have been nominated for Sundress Publications “Best of the Net” 2015, and she has over 880 poems published in more than 390 international journals and anthologies. Her book Somewhere Falling was published by Beach Holme Publishers, a Porcepic Book, in Vancouver in 1995. Since then she has published twelve other books of poetry and seven collections with Edge Unlimited Publishing. Prior to the publication of Somewhere Falling she had a poetry book published, Common Dream, and four chapbooks published by The Plowman. Her poetry chapbook The River is Blind was published by Ottawa publisher above/ground press December 2012. In 2014 her chapbook Surrogate Dharma was published by Kind of a Hurricane Press, Barometric Pressures Author Series. In 2015, her book No Raft – No Ocean was published by Scars Publications. More recently, her book Make the Wind was published in 2016 by Scars Publications. As well, her book Trial and Witness – selected poems, was published in 2016 by Creative Talents Unleashed (CTU Publishing Group). She is a vegan. She lives in Toronto with her family. She also sculpts, working with clay; www.allisongrayhurst.com
            Some of the places my work has appeared in include Parabola (Alone & Together print issue summer 2012); Elephant Journal; Literary Orphans; Blue Fifth Review; The American Aesthetic; Agave Magazine; JuxtaProse Literary Magazine, Drunk Monkeys; South Florida Arts Journal; Gris-Gris; The Muse – An International Journal of Poetry, Storm Cellar, morphrog (sister publication of Frogmore Papers); New Binary Press Anthology; The Brooklyn Voice; Straylight Literary Magazine (print); The Milo Review; Foliate Oak Literary Magazine; The Antigonish Review; Dalhousie Review; The New Quarterly; Wascana Review; Poetry Nottingham International; The Cape Rock; Ayris; Journal of Contemporary Anglo-Scandinavian Poetry; The Toronto Quarterly; Fogged Clarity, Boston Poetry Magazine; Decanto; White Wall Review.   http://www.allisongrayhurst.com

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STEPHANIE. A Poem by John D Robinson.

We could have
been lovers,
but we weren’t,
we could have
been life-long
friends,
but we weren’t,
we could have
been so much
more than a
beautiful exchange
of a brief and
intense light that
scorched us both
with an
innocence that
overwhelmed us
leaving us
strangers for
evermore.

 
 
 
 
 
John D Robinson was born in 63; he is a published poet with 2 chapbooks; ‘When You Hear The Bell, There’s Nowhere To Hide’ (Holy&intoxicated Publications 2016) ‘Cowboy Hats & Railways’ (Scars Publications 2016); he was a contributing poet to the 2016 48th Street Press Broadside Series; his work appears widely in the small press and online literary publications; he is married and lives in the UK.
 
 
 
 
 
 
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robin@artvilla.com
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Key of Mist. Guadalupe Grande.Translated.Amparo Arróspide.Robin Ouzman Hislop
 
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Sherry moments. A Poem by Daginne Aignend

 

He used to wait for me
when I got home from work
‘A glass of sherry, my dear’
We sat down
as I listened to his stories
The same story
he already told me yesterday
He played Rummy with
his girlfriend, the old bag
A puckish smile
accompanied his words
The old bag was sixty-five,
he already reached
the honorable age of eighty-two
For me, sipping my sherry,
it was the time of day to relax
 
He wasn’t always an
amiable man
When he was younger
he frightened me with
his abrupt violent bad temper
Aging took the edges off
his tantrums
Nowadays, I have decided
to remember my granddad
by these languid sherry moments
 
 
 

 
 
Bio
 
Daginne Aignend is a pseudonym for the Dutch poetess Inge Wesdijk.
 
She likes hard rock music, photography and fantasy books. She is a vegetarian and spends a lot of time with her animals.
 
Daginne started to write English poetry five years ago and posted some of her poems on her Facebook page and on her fun project website www.daginne.com
 
She has been published in some online Poetry Review Magazines with a pending publication at the Contemporary Poet’s Group anthology ‘Dandelion in a Vase of Roses’.

 
 
 
 
 
 
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Key of Mist. Guadalupe Grande.Translated.Amparo Arróspide.Robin Ouzman Hislop
 
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http://www.amazon.com. All the Babble of the Souk. Robin Ouzman Hislop
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The Cambridge Companion to Academic Dipshits. A Poem by R.W. Haynes

 
A fat old parrot’s fine impersonation
Of a dean, on YouTube, set our friend a laughing
Which he couldn’t stop. It turned to coughing,
And he died, sort of happy, at his station.
 
We found in his desk, stashed carelessly,
An ancient manuscript he was translating
From Sicilian Greek, a tragedy dating
From Plato’s time, and indeed relating
To the philosopher, for his great enemy
Dionysius the First of Syracuse
Wrote the play to defend his tyranny
Against Plato’s defense of liberty
And attack on his autocratic abuse,
Tyranny raging against philosophy.
 
Do we moralize against tyranny,
Although small fish, but not so small
As delicious minnows on whom we fall
With glittering eyes, slobberingly?
Do these ideas–rained upon our minds,
Like mud rain in Laredo–elevate
Consciousness toward the great
Hovering supremacy philosophy finds?
 
Our dead associate, with his dramatic Greek
Representation of a fictional fight
In which dialogue produced lurid light,
Urges our lethargy to think and speak.
Have we reason to listen to that urgency
Or indeed to reason, whose puritan whine
Is likely at times to somewhat undermine
Its specious claim of authority?
“I’d rather be right with Plato,” someone said.
But what does it matter when we all are dead?
 
So now they have sabotaged a Chaucer class…
 
Ho hum. They did the same for Tragedy,
And who can blame a stupid clown or an ass
For despising Oedipus or Antigone?
Brainlessness is not some contagion
But, in our non-Platonic academe,
A status quo, the vacuous conversation
Of envious imbeciles with bulging eyes agleam.
The best one can do in this fools’ competition
Is sometimes to put a stick in the machine
And briefly delay the supremely ignorant mission
Carefully strategized by Satan and the dean.
 
Let no one dying here view with surprise
Dung-beetles circling, with burning little eyes.

 
 
 
On the Savannah River 2013
 
 
 
R. W. Haynes has taught literature at Texas A&M International University since 1992. His recent interests include the early British sonnet, and he is completing a second book on the Texas playwright and screenwriter Horton Foote (1916-2009). In his poetry, Haynes seeks to celebrate life, liberty, and the pursuit of happiness without sounding any more dissonant notes than he has to. In fiction, he works toward grasping that part of the past which made its mark on his generation. He enjoys teaching drama, especially the Greeks, Ibsen, and Shakespeare, and he devoutly hopes for a stunning literary Renaissance in South Texas.

 
 
 
 
 
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Key of Mist. Guadalupe Grande.Translated.Amparo Arróspide.Robin Ouzman Hislop
 
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http://www.amazon.com. All the Babble of the Souk. Robin Ouzman Hislop
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Shared Closet For One. A Poem by Judy Moskowitz.

A spacious walk in
With built in shelves
And interesting places to hide
I didn’t realize I had so many shoes
Color coordinated clothes
Perfectly aligned on velvet hangers
You can tell so much about a person
The way they fold their clothes
Tell tale signs of intimacy
Rolled up in a draw
Evidence of a once lush life
Hidden in the green of envy
A garden of weeds
Oxygen with just enough poison
Taking over the landscape
No flowers of consolation
Just black smoke inside
A tin box ready to explode
Have I left enough trills in the music
Did I change the sheets
That witnessed submission
Can you feel my authentic bliss
That I once loved you

 
 
mom photo
 
 
Judy started playing piano at the age of three, and studied at the Julliard School Of Music in New York City, her native city.
She became a jazz pianist and continues to play jazz. Now residing in Florida, she started writing poetry three years ago, and has been published in the Moonlight Dreamers Of The Yellow Haze anthology, Thepoetcommunity, Whispersinthewind, Indiana Voice Journal. Poetry runs deep in her veins along with Music.

 
 
 
 
 
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Key of Mist. Guadalupe Grande.Translated.Amparo Arróspide.Robin Ouzman Hislop
 
goodreads.com/author/show/Robin Ouzman Hislop
http://www.aquillrelle.com/authorrobin.htm
http://www.amazon.com. All the Babble of the Souk. Robin Ouzman Hislop
www.lulu.com. All the Babble of the Souk. Robin Ouzman Hislop
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Jazz. A Poem by Joan McNerney

 

the kitchen sits

in fruit soup…

steamed apricot

mango shadow
 

down thru spinning

smoke into hot light

blink beat
 

body ends dangle

lead eye skin cement

high on tongue
 

night pasted among

buildings Styrofoam clouds

moon hung beneath billboard

 

rolling pass wet

rocked streets

soul tramp

diamond panhandlers watch

paper birds slices of

the daily news drift in air

 

comes cool ether

whispers up door

climbing dusty corridor

 

tree windows lapping lisp

door slams again noise again

then none void nothing syncopates

noise again door slams tree bare frozen
 

caught in the image of 7 candles

within 7 candles flames of air

7 light bulbs growing out of each other

7 silver circles coined from 7 silver rings
 

clear as blazing sheets

of glass yet

vague as dust

an ice cube on wood table

in front of crushed velvet

    melt

    poured

    peeled

when this sky now boiling with

stars is strapped black

in pinched air thru sucked mind

swimming pass spaced time

will be one silent

note up.
 
 

Vivitar

 

 
 
Joan McNerney’s poetry has been included in numerous literary magazines such as Seven Circle Press, Dinner with the Muse, Blueline, Spectrum, three Bright Spring Press Anthologies and several Kind of A Hurricane Publications. She has been nominated three times for Best of the Net. Poet and Geek recognized her work as their best poem of 2013. Four of her books have been published by fine small literary presses and she has three e-book titles.
 
 
 
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Key of Mist. Guadalupe Grande.Translated.Amparo Arróspide.Robin Ouzman Hislop
 
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http://www.aquillrelle.com/authorrobin.htm
http://www.amazon.com. All the Babble of the Souk. Robin Ouzman Hislop
www.lulu.com. All the Babble of the Souk. Robin Ouzman Hislop
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Hostages. A Poem by Ananya S Guha

Had it not been
a hell of a night
I would not know
how chandeliers
had broken
and the gig we did
broke into dawn
till all the people
in the room started
reading those old
books, which memories
had kept stored in rusted
trunks. One started reciting
the others with immaculate
looks read steadfastly.
Silence. Silence was the watch dog.
The reading continued late till
the day. Gunshots woke them up.
They were told they were hostages
but they continued to read.
A war is on ( they were told)

The chandeliers splintered
books strewn,

death hyphenated, they
continued to read.
Soon dogs started barking
the coffins were ready.
The clock ticked
death is a neighbour.

 
 
DSC_0018
 
 
Ananya S Guha has been born and brought up in Shillong, India and works in India’s National Open University, the Indira Gandhi National Open University. His poems in English have been published world wide. He also writes for newspapers and magazines/ web zines on matters ranging from society and politics to education. He holds a doctoral degree on the novels of William Golding. He edits the poetry column of The Thumb Print Magazine, and has published seven collections of poetry.
 
 
www.facebook.com/PoetryLifeTimes
 
robin@artvilla.com
editor@artvilla.com
 
Key of Mist. Guadalupe Grande.Translated.Amparo Arróspide.Robin Ouzman Hislop
 
goodreads.com/author/show/Robin Ouzman Hislop
http://www.aquillrelle.com/authorrobin.htm
http://www.amazon.com. All the Babble of the Souk. Robin Ouzman Hislop
www.lulu.com. All the Babble of the Souk. Robin Ouzman Hislop
https://www.amazon.com/author/robinouzmanhislop

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Idealist. A Poem by Cornelia Păun Heinzel

Editors Note: Translated from Romanian by the author herself, as far as the editor knows.
 
You always tell me: you are incredibly idealistic
when you love all people equally, trees and flowers, animals,
without concealing them with the cloak of inequality,
when you are admiring what it is worthy of praises,
without the worm of jealousy eating you whole,
when you do not harm anybody
and the waves of evil do not immerse you,
when you understand every being,
even if you, in this, are enigmatic,
when you help anyone from the kindness of your heart
without expecting something in return,
when you consider money to have no value
and the wisps of greed never daze you,
when you always forgive
without the boulder of vengeance shattering  you in pieces,
when you introduce yourself to people the way you truly are,
without performing on the stage of life as a perfect actor,
when you truly are faithful
without the arrows of evil, greed and deception piercing you…

 
 
A PUSA1
 
Cornelia Păun Heinzel is an Romanian writer, journalist, member of International Press, Professor Ph.D. in Robotics with the scientific title of Doctor of Industrial Robots 1998, the Bucharest Polytechnic University, Master in Educational Management and Evaluation, Faculty of Psychology, University of Bucharest, in 2002, Master in Teaching Subjects Philological Faculty of Letters, University of Bucharest, licensed of Philology, Romanian Language and Literature – French Language and Literature, Faculty of Letters, University of Brasov, Diplomat mechanical engineer, specializing in Technology of Machine Construction, Faculty of TCM, Brasov University in higher education and research, a field in which she has worked until today and electrical engineering, specializing in Transport, Polytechnic University of Bucharest. In 2007-2013 she trained experts of the Ministry of Education in Educational Management. She completed three graduate courses and in 2012-2013 received a grant to Germany, MUNCHEN GOETHE INSTITUTE in the area of specialization – MULTIMEDIA FüRERSCHEIN DaF- Das Internet als Quelle FÜR Materialien und Projekte . She has published six books and over 200 articles – published in Romania and abroad. Anthologie Multilingua. Cornelia Heinzel
 
 
www.facebook.com/PoetryLifeTimes
 
robin@artvilla.com
editor@artvilla.com
 
Key of Mist. Guadalupe Grande.Translated.Amparo Arróspide.Robin Ouzman Hislop
 
goodreads.com/author/show/Robin Ouzman Hislop
http://www.aquillrelle.com/authorrobin.htm
http://www.amazon.com. All the Babble of the Souk. Robin Ouzman Hislop
www.lulu.com. All the Babble of the Souk. Robin Ouzman Hislop
https://www.amazon.com/author/robinouzmanhislop

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