(i)
Primitive the day when words go miss
without ideas or a single inexpressible
idea to look is to look to settle silhouettes
dancing a small vestige of volume
perfectly contrasted with the fluorescent
rectangular board at the back it ´s the
air that sways light bulbs a small help
however from the black mattress a few
minutes ago my blank head a few
glances ago and it’s already late if the loud
speakers let me open the door if the
spotlights the stones of the façade permit
me a jumble of light and shadow
a thick blob a little sticky turning
when the witch’s stick stirs the blob
in the cauldron stirring and stirring
(i)
el día que falten las palabras primitivo
sin ideas o una sola idea inexpresable
mirar es mirar instalarse siluetas que
danzan un pequeño vestigio de volumen
perfectamente contrastadas con el
panel fluorescente rectangular del fondo
es el aire el que cimbrea las bombillas
una pequeña ayuda sin embargo del
colchón negro desde hace unos minutos
mi cabeza en blanco desde hace unas
miradas y ya es tarde si me permiten
los altavoces abrir la puerta si me dejan
los focos las piedras de la fachada amasijo
de luz y sombra espeso un tanto pegajoso
giratorio cuando el palo de la bruja
da vueltas en el pote
al amasijo vueltas y vueltas
(ii)
my head remains happily empty
placidity of the cavity the wind at
ease in the interior cavern I cannot
perceive traces clues voices getting
weaker wasting to rise on the tracks
of the torrent train of wheat initiating
incursions in the air right after the
horizon sways confusion of the wheat
of the air the train that passes incisi-
vely through the gust the Boston
strangler sits at my side his cheekbones
his mouth protrude his evil super-
ciliary bones are curved with the light he
places his hands on a folder his suit
his black suit buttons up very high
the strangler has two fierce eyes that
wander from one side to the other of
his spectacles the train vanishes and
the clarity leaves a volume of moment-
ary zenithal hope
whether to order a pair of rimmed spectacles!
(ii)
mi cabeza permanece felizmente
vacía la placidez de la oquedad el viento a
sus anchas en el interior cavernario no puedo
percibir rastros indicios voces que pierden
fuerza consunción alzarme sobre las vías
del tren raudal de trigo iniciando incursiones
en el aire justo después cimbrea el horizonte
confusión del trigo del aire el tren que pasa
incisivo por la ráfaga el estrangulador de
boston se sienta a mi lado le sobresalen los
pómulos la boca aviesos los superciliares se
curvan con la luz posa las manos sobre una
carpeta muy arriba le cierra el traje negro el
estrangulador tiene dos ojos fieros que pasean de
un lado a otro de sus gafas desaparece el tren
y la claridad deja un volumen cenital esperanza
momentánea ¡si encargar unas gafas con barrotes!
Enrique Darriba (Madrid, 1965) began as a plastic artist, although he soon oriented his artistic work towards literature. He is the author of the poetry book Geometría básica (Varasek Ediciones, 2017) and the novel Los buenos tiempos (Legados Ediciones, 2019).
Enrique Darriba (Madrid, 1965) empezó como artista plástico, aunque pronto derivó su quehacer artístico hacia la literatura. Es autor del libro de poemas Geometría básica (Varasek Ediciones, 2017) y de la novela Los buenos tiempos (Legados Ediciones, 2019).
Amparo Arrospide (Argentina) is a Spanish poet and translator. She has published seven poetry collections, Mosaicos bajo la hiedra, Alucinación en dos actos algunos poemas, Pañuelos de usar y tirar, Presencia en el Misterio, En el Oido del Viento, Hormigas en Diáspora and Jaccuzzi, as well as poems, short stories and articles on literary and film criticism in anthologies and in both national and foreign magazines.
She has received numerous awards. Editor’s Note: see also Poetry, National Literature Prize 2018, Francisca Aguirre, Translated from Spanish by Amparo Arróspide & Robin Ouzman Hislop
Robin Ouzman Hislop is Editor of Poetry Life and Times ; his publications include
All the Babble of the Souk , Cartoon Molecules and Next Arrivals, collected poems, as well as translation of Guadalupe Grande´s La llave de niebla, as Key of Mist and the recently published Tesserae , a translation of Carmen Crespo´s Teselas.
You may visit Aquillrelle.com/Author Robin Ouzman Hislop about author. See Robin performing his work Performance (University of Leeds)
