Marvin Gay is Dead. A Poem by John Kaniecki

 
 
Papers
Honorable discharge
Serial killers some serial rapers
Thanx for the fun sarge
Heroin pulsating
All the while hating
Everything about everything
And survival
Has no rival
Except those who persist
And reenlist
And if I didn’t give a damn
I would not be writing
I would not find it exciting
To lay my treasures at your feet
Delicate and sweet
My dear madam
Take your wars
Cold and hot
All your scores
Never forgot
Write them in a big black book
Bury them in Egypt or Saigon
Then dig em up to take a look
And see what’s going on
 
 

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My name is John Kaniecki, I have been published by Struggle Magazine, The Blue Collar Review, Burning Books, Jerry Jazz, IWW Newspaper, Protest Poems, Flute, Black Magnolia, Left Curve, She Mom, Whisper, Vox Poetica and others. Though political or moral in nature I write in various forms. My poems have appeared in over fifty outlets.
 
I have a chapbook of poetry published on Cavalcade of Stars. In addition I have a poetry book entitled ”
Murmurings of a Mad Man just out this September.
 
I have two stories published one in Struggle Magazine and the other in Cavalcade of Stars. I have a story The Sin of A.D.A.M. published by Witty Bard. I have a book of science fiction stories entitled ” Words of the Future” published by Witty Bard in.
 
My chapbook “The Second Coming of Victoria” was a quarter finalist in the Mary Ballard chapbook contest in 2014.
 
The artist I most admire is Woodie Guthrie because he lived what he wrote and what he wrote was wonderful.
 
I also recently won the Joe Hill Poetry Labor Prize where I read my poem Tea With Joe Hill, in front of a crowd of over six hundred people in Banning Park , Los Angeles .
 
I currently serve as secretary for Rhyming Poets International and I am a member of the Revolutionary Poet’s Brigade.
 

 
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Schizophrenic Love Fugue A Video Poem by Nordette Adams

https://www.youtube.com/watch?v=4MrIz0LeEMo
 
 
nordette-n-adams-BAM
 
 
Nordette N. Adams is a published poet and published fiction writer. She grew up in New Orleans, moved away at 20, and returned in 2007. In 2013, at the invitation of then Louisiana’s State Poet Laureate Julie Kane, she participated in the reading “Just Listen to Yourself” at the Louisiana State Library. She is also a contributing editor at BlogHer.com. You may read more about her at writingjunkie.net/info
 
Producing poetry videos once in a while fulfills me in some way. I do it knowing that my poetry videos don’t draw a slew of hits (with the exception of Misery which did better than average for original poetry). Also,Break Up Notes Recovery . At the end of August I also produced a video of another poet’s work, “An Angel for New Orleans,” for the 9th anniversary of Hurricane Katrina.
 
 
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A Pet of your Own. A Poem by Robin Ouzman Hislop

 
 
Stray dog on the straw wind –
Heaven & earth are ruthless,
 
Yelp, yelp –
Where’s your tag, tab & chip!
You’re not even an exile,
You’re banned,
Perhaps you’ll get rabies & infect us.
 
This is my seat, my place, my corner,
I’m here, I’ve got my coat & bag
Next, see, when you get on,
I’m next to the window.
 
Get back to your kennel, with a number on.
Running loose. So we know where you are.
Maybe someone will leash you in.
Leash you from the lash.
Going to make it to the hill!
Borders are patrolled here.
 
A few chickens in the backyards
On the way. No way.
Our helicopter’s sniper
Will take you out & kill, kill, kill.
 
Poor thing, looks about all in,
What a shame, that beggar
Down the road looks as if he’d eat it.
I wouldn’t be surprised,
Poor thing.
 
What, sit here?
The bus is full?
Really, Oh well, if you must,
You must.
Mutter, utter,
(My Space:) ((so small)).
 
Here we are, at least, aren’t we.
Pets, but a stray’s a stray.
It’s raining cats & dogs.
 
Straw dog on the stray wind.
& treats the myriad creatures as straw dogs.
 
(Lao Tzu)

 
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Robin Ouzman Hislop Editor of the 12 year running on line monthly poetry journal Poetry Life and Times. (See its Wikipedia entry at Poetry Life and Times). He has made many appearances over the last years in the quarterly journals Canadian Zen Haiku, including In the Spotlight Winter 2010 & Sonnetto Poesia. Previously published in international magazines, his recent publications include Voices without Borders Volume 1 (USA), Cold Mountain Review, Appalachian University N Carolina, Post Hoc installed at Bank Street Arts Centre, Sheffield (UK), Uroborus Journal, 2011-2012 (Sheffield, UK), The Poetic Bond II & 111, available at The Poetic Bond and Phoenix Rising from the Ashes a recently published Anthology of Sonnets: Phoenix Rising from the Ashes. He has recently completed a volume of poetry, The World at Large, for future publication. He is currently resident in Spain engaged in poetry translation projects.
 
 
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B.W. (Before Wireless) A Poem by Joseph Farley

 
 
The cycles of the moon
have been with us
since man first crawled
out of the trees.
 
 
Staring up through branches
or from the grasslands
our ancestors saw
a common glow,
a friendly face.
 
 
Poets and travelers
were and are
never far from home
so long as that satellite
hovered above.
 
 
Though it sends
no messages on its own
we can bounce thoughts
off of it.
 
 
Some of those feelings
and ideas have surfaced
in like minds in every age
without the need
of a cell phone.
 
 
There is no signal tonight.
Do not wait for my call.
Just look out the window,
and know I am thinking of you.

 
 
on the road 029
 
Joseph Farley edited Axe Factory from 1986 to 2010. Farley writes poetry, fiction, plays and essays. He also performs with Improv on Rye. His books and chapbooks include Suckers, For the Birds, Longing for the Mother Tongue, Waltz of the Meatballs, Her Eyes, and Crow of Night. His work has appeared recently in Bellview Park Pages, Bewildering Tales, Beyond Imagination, BlazeVOX, Crack the Spine, Danse Macabre, Concrete Meat Sheets, Thunder Sandwich, Horror Sleaze Trash, Schlock, T. Gene Davis Speculative Blog, US 1 Worksheets, Verse Wisconsin, Visions and Voices, Whole Beast Rag, Ygdrasil, Literary Hatchet, and the anthologies One Hell of a Christmas, Thirteen O’Clock Press, 2014, and Night Walkers, Thirteen O’Clock Press, 2014.
 
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Breakthrough 1. Ekphrastic Poem by Neil Ellman

(after the lithograph by Robert Rauschenberg)

Breakthrough-1

 

Penetrate the impenetrable.
Permeate the impermeable.
Breach the unbreachable.
Pry open the tight-fist grip of time
    and split the atom to its soul.
Break through to the other side
    where stars, grown dark,
    have left an empty space.
Puncture heaven itself
    and insinuate your dreams
    where none had ever been
then carve out a Zodiac with an image
    of yourself
    to lord it over the universe
    as if you can.

 

 

Neil Ellman jpg

Biography: Nominated for the Pushcart Prize and Best of the Net, Neil Ellman writes from New Jersey. More than 1000 of his poems, many of which are ekphrastic and written in response to works of modern and contemporary art, appear in print and online journals, anthologies and chapbooks throughout the world. His first full-length collection is Parallels: Selected Ekphrastic Poetry, 2009-2012 (Omphaloskeptic Press).

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The Best Tlacoyos in Chickasawhatchee. A Poem by R.W. Haynes

 
 
Back before he was extinct, I mean, of course,
The Great Common-Sense Woodpecker, bless his heart,
You could sit here on the porch, sober as a judge,
And watch pterodactyls chasing the bugs
Back and forth around the glowing moon.
 
Back then, that is, before it all went to hell,
That boy from Bacon County, what was his name?
His daddy drove a log truck, it finally caught fire
And burned down the Primitive Baptist Church,
But the pastor’s German Shepherd barked in time,
And they saved the parsonage. I’ll remember his name,
The boy’s, not the German Shepherd’s, here in a little,
But anyhow, he played the mandolin, not the dog,
Of course, but the kid from Bacon, pretty well,
And he’d park his butt on the steps and play old songs,
“Pretty Polly,” “Darlin’ Corey,” and “Watch Out, Young Ladies,”
And Grandmama, who did watch out pretty well
When she was young, according to her, anyhow,
Would tap her foot as if arthritis was a song.
 
And up in the sky, the constellations danced,
And passenger pigeons flowed across forever,
And old songs fused together like aqueducts,
Washing all the grief away that any of us ever had.

 
 
 
On the Savannah River 2013
 
 
 
R. W. Haynes has taught literature at Texas A&M International University since 1992. His recent interests include the early British sonnet, and he is completing a second book on the Texas playwright and screenwriter Horton Foote (1916-2009). In his poetry, Haynes seeks to celebrate life, liberty, and the pursuit of happiness without sounding any more dissonant notes than he has to. In fiction, he works toward grasping that part of the past which made its mark on his generation. He enjoys teaching drama, especially the Greeks, Ibsen, and Shakespeare, and he devoutly hopes for a stunning literary Renaissance in South Texas.
 
 
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East of Eden. A Poem by Robin Ouzman Hislop

 
 
The killing machine kills more animals a day
for consumption
than ipso facto, we in a year’s killing fields.
 
God made in our image, the anonymous
crowd, knotted
through with confections washed up on
 
Our coast of humanity, which windows
onto a Zoo
life thrives on deception. A moral mind
 
An infallible judgement, where everyone
is dead
every tomb unearthed, then resealed
 
Animal, human remains heaped in fields
as tipped
dumps, where even the horizon’s clouds
 
Are vapid incineration, a house of cards
crumbling, falling
into one another, into the pit that blots us out.

 
 
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Robin Ouzman Hislop Editor of the 12 year running on line monthly poetry journal Poetry Life and Times. (See its Wikipedia entry at Poetry Life and Times). He has made many appearances over the last years in the quarterly journals Canadian Zen Haiku, including In the Spotlight Winter 2010 & Sonnetto Poesia. Previously published in international magazines, his recent publications include Voices without Borders Volume 1 (USA), Cold Mountain Review, Appalachian University N Carolina, Post Hoc installed at Bank Street Arts Centre, Sheffield (UK), Uroborus Journal, 2011-2012 (Sheffield, UK), The Poetic Bond II & 111, available at The Poetic Bond and Phoenix Rising from the Ashes a recently published Anthology of Sonnets: Phoenix Rising from the Ashes. He has recently completed a volume of poetry, The World at Large, for future publication. He is currently resident in Spain engaged in poetry translation projects.
 
 
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The Comfort of Strangers Arguing. A Video Poem by Paul A. Toth.

 
The_Comfort_of_Strangers_Arguing.avi.
 
 
For years
I’ve not dared
sleep in bed,
for there alone
through the window
a wind has whistled
in my ears,
and death’s next
of kin soon appears
to collect my arrears.
Since then, I’ve slept
in the living room,
prison and womb
and soon enough my tomb.
And if silent,
the night remained
the season of unreason
and conscience torn,
then a murderous treason
was expected
and nightly born.
 
 
In the day,
I never saw the neighbors,
not one, nor the sun,
whether rising or falling
or while passing above
the hours between.
Instead, I’d seen
the suggestion of light,
a blunted gleam.
 
 
Nevertheless, upstairs
there was one
friend, of sorts,
the last of my resorts,
disembodied, of course,
but at least
the occasional voice
of a beast.
One night, I thought
he’d found time
to pause and make a rhyme
and shouted it, too.
In the words of my neighbor:
“How could you waver,”
“one moment the mother of my child,
“the next sparing yourself
“the bother of your labor?”
But I had made his meaning mine
from words that had stalled
somewhere between the walls,
and as consonants raged,
I wrote another page
for a play I had completed
and too many times staged.
 
 
Even now,
the one, the other,
the girl on the phone,
is prone
to regretting her leaving
a dial tone
for his grieving.
When the telephone rings,
I await the sound
of mattress springs.
He never lasts long.
I know his usual song
will give him an angle
to escape his sense
that something within him is wrong.
Breaking the spell, he sings to the angel
he now thinks a witch: “If only I’d thrown
“a better bone to that bitch.”
 
 
He like, me, will recall his abuses
conducted out of sight
like cabooses.
How long the train of excuses.
How great the weight
of what lies behind,
burdens carried
in back of the mind,
for thousands of miles forgotten,
yet from the beginning, the cargo
already rotten.
 
 
Some time later, I pulled my train
of thought to a stop at the station,
for I was interrupted by revelation:
A neighbor’s words once mine,
anger spoken in another time,
to someone else long ago,
silenced, too, by dial tone,
the slamming of the phone,
shooting stars in my eyes,
a conspiracy
of regretting
I’d revealed to myself
so many times
that it now concealed
I was rotting by forgetting
all those miles
I’d carried
the weight of decades-ago
unloaded freight.
 
 
My next stop
was a candled cathedral,
and I returned to that place
where for years
something in me burned,
the suggestion of a darkness
that would never be turned,
as if I’d not learned
that for which I yearned
always returned, whereby
I was moved
close to perfection.
 
 
My endless confessions
rose from their knees
and demanded my secession
from nostalgia’s concessions
and regret’s intercessions.
With match, I set fire
to their airy alliance.
In defiance
I inhaled
the smoke of the past,
then exhaled my silence.
 

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My bio: Paul A. Toth is the author of four novels, including his 9/11 based Airplane Novel (2011), noted by ​​USA Today as the 4th Best Independent Novel of 2011. His latest is Let’s Go Shopping, The War Is Over, a collection of his best short stories. He is also the founder and publisher of Eye Am Eye Books
 
 
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