Living Her Passion.Poem.Richard Doiron

 

She comes to him at night
in the secret world of dreaming
and she comes, also,
when reverie descends,
like so much summer rain,
to occupy the day itself.
 
She comes, unfettered,
unmasked, a deluge, disarming.
In the earliest of hours,
she is the promise of the sun.
At noon, she describes the night,
replete with wine and roses.
 
She cares not a whit
for the whimsies of deniers,
decriers, the deities of decorum.
She comes not to advance,
to enhance, to embellish
the shores of sanctimony.
 
She comes to uphold
the virtues of love, the verities
of which are more than mirrors
affixed to their walls,
the same reflecting but the rigid rule
of their perfidious page.
 
She comes to alert, to assert,
to avow. Here to deter the dagger and
the dart, fulfilling the heart, engaging
the soul, she courts her cause,
on a bed that’s ablaze, burning, a blaze,
burning, burning, burning!

 

***********
***********

-Richard Doiron, 66, Moncton, New Brunswick, Canada,
work in print since 1964. A graduate in journalism, has read
at national and international literary festivals, his work read
at the United Nations and the World Congress of Poetry &
Cultures. Has published an estimated 1000 poems. Twice
nominated for the Governor-General’s Award (Canada);
recipient of the World Poetry Lifetime Achievement Award 2012.
 
 

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This Bone That I Found. Poem.Torre A. DeVito


Walking in the woods I found a hollow bone,
Whose flesh had been the meal of worms.
It was hollow and smooth, bleached by the sun:
And insects had cleaned the marrow.
 
Ah, that in life I am like this bone,
that all my gifts be used up,
offered upon a platter that is licked-clean,
sopped-up, slurped out, and savored.
 
Oh, that in death my body is used up
so completely that there is nothing left
and at the resurrection it is renewed:
smooth and clean and white as this bone;
 
this bone that I found, while walking 
in the wood, this hollow bone,
stripped by worms – hollow, smooth,
and bleached by the sun.

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Crime Fiction.Poem.Mitchell Geller

Mitchell Geller

In books by Christie, Sayers and Ngaio Marsh
the mystery writer observes this dictum:
A man or woman, venal cruel and harsh,
shot, stabbed or poisoned, must be the first victim.
With Corpse Number Two, the rules relax;
A kindly person, warm, or even saintly,
dispatched (so the “perp” can cover his tracks)
for sensing whodunit, however faintly.
Henceforth, clues and alibis alike are flimsy —
has someone stolen Madam’s secateurs?
If so, why do Alleyn, Poirot or Wimsey
deduce the fingerprints they bear are hers?
Yet how they charm! Stale plots, dull dialogue,
Manor house murders and footsteps in fog.

The new ones differ — brilliant PD James
created a brooding detective-poet.
Anne Perry’s historical oeuvre proclaims
Victorians were kinky, though loath to show it.
The kudos trenchant Ruth Rendell has garnered
extend to her alias, Barbara Vine,
and sly diabolical Robert Barnard
lampoons England’s bleak, bureaucratic decline.
Where once the motives were classic and clean —
the quartet: love, loathing, lucre and lust —
now sociopathy dominates the scene;
victims dismembered, leather-clad and trussed.
The grey cells are augmented in our day
by Freud and forensics and DNA.

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Coral Reveries (3).Poem. Audio. Ian Irvine (Hobson)

Tree of Life

Image: ‘Darwin’s Tree of Life’ [from public domain image, drawn by Darwin]

 

ThreePoems:CoralReveries.

Ian Irvine Hobson. Audio Version.

Poems: (3.)

 

(i.) Their Massive God

(ii.)The Noble Love of Freedom

(iii.) To Inhabit the Fields of Time

 

Poems by Ian Irvine (Hobson), copyright all rights reserved.

 

Please Note: many of these poems meditate upon or, in some cases rework/recombine, random phrases appearing in the 2nd edition of Charles Darwin’s The Voyage of the Beagle. The first edition of the work appeared in 1839. I hope I have done some justice to the natural lyricism evident in Darwin’s relaxed prose style.

 

 

Their Massive God

 

Whether I killed their God,

one and massive.

book-tombed, with chiselled words

on granite—his puny reign,

mere millennia—

was not the issue.

 

Mine was the gambler’s fear, for

the mist-wrapped hull of the new

drifts only slowly into view

contrasts with the rotting hulk of God

(as slowly sinking).

How will they endure

this unbearable in-between?

 

 

The Noble Love of Freedom

 

In the forest,

with huge butterflies

that float

among horses and men

such brilliant colours!

– they flit

from shade

to sunshine

I find it dreamy

to think of her

and ignore the granite hills

steep and bare

 

They tell a story

steep and bare

of runaway slaves

and the moon was dim

(a few fireflies)

and we came upon a desert

followed by a wasteland

of marshes and lagoons

heard the sea’s sullen roar

off in the distance.

 

We tethered the horses

but they refused to settle.

 

We tethered the horses

on a sandy plain

next morning, more salt lagoons

and a few stunted trees.

The nights grew hot, and

a dim moon on white sand.

 

Became aware

(the exact moment is not recorded)

of a problem with the horses.

 

We bathed in lakes and lagoons

traversed pastures ruined by ants’ nests

passed forests with lofty trees.

 

Every morning more horses

bitten and infected

until one evening

I saw it in the gloom

suctioned to a horse’s back

a large vampire bat.

 

I found it dream-like

blatant in the gloom

(How could I ignore the granite hills?)

 

But then I saw it

suctioned to a horse’s back

 

a large vampire bat.

 

 

To Inhabit the Fields of Time

 

The more I observe

‘mother nature’, the less

God I see,

the more in need of a God

(or gods)

I become. Even as I

refuse to believe their

broadcast baloney.

 

The idea gnaws.

 

I came upon a parasite

in some distant jungle—

it gives me wild ideas, and though

the doctors work their alchemy

I still feel ‘inhabited’. Besides

my son in a coffin.

 

So many blind millennia—

and still they refuse to see.

But is my vision true—

unencumbered by faith

(my daughter, my daughter)?

 

The clear and terrible beauty

of aeons of methodical suffering.

He never did intervene. If

he exists, he’s a patient sadist

or useless as the carnivores

of all ages, thrive and

evolve.

***

Ian Irvine Photo

Ian Irvine is an Australian-based poet/lyricist, fiction writer and non-fiction writer. His work has featured in many Australian and international publications, including Fire (UK) ‘Anthology of 20th Century and Contemporary Poets,’ (2008) which contained the work of poets from over 60 nations.His work has also appeared in a number of Australian national poetry anthologies, and he is the author of three books and co-editor of many more (including Scintillae 2012, an anthology of work by over 50 Victorian and international writers and poets). He currently teaches writing and literature at Bendigo TAFE and Victoria University (Melbourne) and lives with fellow writer Sue King-Smith and their children on a 5 acre block near Bendigo, Australia.
 
Links related to his work are as follows:

 
http://authorsden.com/ianirvine

http://www.scribd.com/IanHobson

 
 

robin@artvilla.com
www.facebook.com/PoetryLifeTimes

 


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There is only love.Poem. Bhuwan Thapaliya

Grasping her hands closely,
I halt my heart
at the edge of her lips
and stare deeper inside
the lava of passion
ejecting shimmering
volcanoes of love.
I let myself slide
through her hand,
easing myself
deeper into her core.
With each cuddle,
the air shakes with joy;
the clouds of passion
grow thicker
– waves of mountain air
rumble past my soul.
A whisper
from beneath her core
– a rumbling moan –
fills my ear
and rolls across
my soul and beyond.
And in the tender
air of love
– destiny, direction,
and time seems to
waft away.
There is only love,
– two tectonic lips
colliding as one.
The earth shakes,
She pulls a flower
from my heart
and lifts it to the sky.

 

 

Bhuwan Thapaliya works as an economist, and is the author of four poetry collections. Thapaliya’s books include the recently released Safa Tempo: Poems New and Selected (Nirala Publication, New Delhi), and Our Nepal, Our Pride (Cyberwit.net). Poetry by Thapaliya has been included in The New Pleiades Anthology of Poetry and Tonight: An Anthology of World Love Poetry, as well as in literary journals such as Urhalpool, MahMag, Kritya, FOLLY, The Vallance Review, Nuvein Magazine, Foundling Review, Poetry Life and Times, Poets Against the War, Voices in Wartime, Taj Mahal Review, and more.
 
 
Bhuwanthapaliya picture
Author
Our Nepal, Our Pride

http://www.amazon.com/Our-Nepal-Pride-Bhuwan-Thapaliya/dp/8182531152

 
 

robin@artvilla.com
www.facebook.com/PoetryLifeTimes

 

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KwameWriteAido.Keep Moving On.Poem. Audio.


http://www.hulkshare.com/kwamewrite/kwame-write-keep-moving-on

Further includes tracks by Kwame Write: when i was a child, this i put to you, Savanah love – Chief Mooment and Captivated.

 

kwamewrite 1

Kwame’s love for wordplay has earned him online publications, awards from the Scrabble Association of Ghana and a couple of nicknames including Write. He is a nominee for the International Best Amateur Poet by World Poetry Organisation, a biochemist working as a health & safety consultant who believes that freelance writing, spoken word and rap are not only rich arts but tools for educating and inspiring people. Kwame Write founded Inkfluent which produced Vocal Portraits; a spoken word compilation that brought together 15 artists from 3 continents: Africa, America and Europe. When he’s not with the pen, he’s most likely playing beach soccer or making new friends over a bowl of fufu and palm wine. You can visit him at http://kwamewrite.blogspot.com/ and https://soundcloud.com/kwame-write-1

LINKS:
Twitter: @kwamewrite
Facebook: https://www.facebook.com/aidookwamecharles

***

editor@artvilla.com
robin@artvilla.com

www.facebook.com/PoetryLifeTimes
www.facebook.com/Artvilla.com

 

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Keep Moving On. Poem. Kwame Write Aido.

keep moving on
I say
keep moving on
I hear
these grooving songs,
rhythm of the earth playing tap-dance with your feet
keep moving on

tap-dance with your feet

tap
pataptapatap
tap

like a rolling pebble
flung off free fingers
tossing on the streets
bouncing off asphalt
bouncing off like a rebel
rolling under moving cars
rolling through bike spokes
and off through a motor policeman’s legs
swift slow swirl swift soul spell

tap
pataptapatap
tap

keep grooving on

like gazelles grazing
on shrub-lands
at dawn when the orange sun kisses greying grains
where lions dens are dense
keep moving on
like a lion’s dance
before pouncing on a prey
breeze aligning mane

keep
moving
on

like a slum kid waking up with heat rashes
all over a body battered by life’s hardships
bedroom a 6 by 6 packed with 12 siblings
searches for a candle to light his unpaved path
light too low, he sees clouded dreams
sagged low pants,
Dre Beats hanging from his ears
intersecting with a left eye tear
and ride slow jams
and dry cold hands
and mind so tensed

and tap-dance with his feet

tap
pataptapatap
tap

he’s singing
same time praying in his head
he’s singing
praying his music
would top the list
and be the hit this year
playing his music
moving

like a slum kid musician’s tear

keep moving on

like a beach side black boy
biceps like blown balloons
clinging to coconut trees, climbing
like a child on to full breasts
for some milk
slices off the stalk of a coco
a look like a kid gone nuts
balancing boldly
like a dance
breaking it open to take a looooong sip
throws the roughage off
and starts sliding back south
bare arms, chest
sliding like a dance
against the rough edges
one then the next,
brave-heart
grooving on
even when the mood is wrong
he sets sail with his heart
he’s down from the tree
he’s off to the sea
sets snail-step sways
on ocean floors of earth’s palate
under water
plop!
over water
surfing with a piece of plastic
like a dance
rhythm like the tap-dance

and tap-dance with his feet

tap
pataptapatap
tap

keep moving on
even when echoes become walls
and rebound efforts into nulls
even in a free fall
floored, flee all, fly find fortune,
do not fade into the future
like a tear
unattended to
live the present
with the past behind
and bad memories with folded rags
and mistakes with no carbon copies
and smiles within songs
and an open heart
with love as inner decor
bearing hope in hands
reaching for peace

keep
moving
on

***

kwame 1

Kwame’s love for wordplay has earned him online publications, awards from the Scrabble Association of Ghana and a couple of nicknames including Write. He is a nominee for the International Best Amateur Poet by World Poetry Organisation, a biochemist working as a health & safety consultant who believes that freelance writing, spoken word and rap are not only rich arts but tools for educating and inspiring people. Kwame Write founded Inkfluent which produced Vocal Portraits; a spoken word compilation that brought together 15 artists from 3 continents: Africa, America and Europe. When he’s not with the pen, he’s most likely playing beach soccer or making new friends over a bowl of fufu and palm wine. You can visit him at http://kwamewrite.blogspot.com/ and https://soundcloud.com/kwame-write-1

LINKS:
Twitter: @kwamewrite
Facebook: https://www.facebook.com/aidookwamecharles

***

editor@artvilla.com
robin@artvilla.com

www.facebook.com/PoetryLifeTimes
www.facebook.com/Artvilla.com

 

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White Heat.Poem. Trevor Maynard.

The mountain is there to be climbed

The weather its own

Maybe violent maybe calm

Funny like Cagney

Ma, Top of the World!”

We are its guests

The soon to be honoured dead should it decide,

To object to our trespass

To growl and bite back

Conquerors in oxygen masks and with frost-bitten toes;

Are mere Yankee doodles in gangster shoes and clothes

Funny like Cagney

Heroes die as easily as unclean rats

Svengalis, deities, autocrats

The mountain does not forgive

It just is

White heat

 

© Trevor Maynard from his collection Keep On Keepin’ On ISBN 978-1480052499.

Trevor Maynard is also editor of the anthologies The Poetic Bond

ISBN 978-1466498419 and The Poetic Bond II ISBN 978-1480209732

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