Poets
Crime Fiction.Poem.Mitchell Geller
Mitchell Geller |
In books by Christie, Sayers and Ngaio Marsh
the mystery writer observes this dictum:
A man or woman, venal cruel and harsh,
shot, stabbed or poisoned, must be the first victim.
With Corpse Number Two, the rules relax;
A kindly person, warm, or even saintly,
dispatched (so the “perp” can cover his tracks)
for sensing whodunit, however faintly.
Henceforth, clues and alibis alike are flimsy —
has someone stolen Madam’s secateurs?
If so, why do Alleyn, Poirot or Wimsey
deduce the fingerprints they bear are hers?
Yet how they charm! Stale plots, dull dialogue,
Manor house murders and footsteps in fog.
The new ones differ — brilliant PD James
created a brooding detective-poet.
Anne Perry’s historical oeuvre proclaims
Victorians were kinky, though loath to show it.
The kudos trenchant Ruth Rendell has garnered
extend to her alias, Barbara Vine,
and sly diabolical Robert Barnard
lampoons England’s bleak, bureaucratic decline.
Where once the motives were classic and clean —
the quartet: love, loathing, lucre and lust —
now sociopathy dominates the scene;
victims dismembered, leather-clad and trussed.
The grey cells are augmented in our day
by Freud and forensics and DNA.
Coral Reveries (3).Poem. Audio. Ian Irvine (Hobson)
Image: ‘Darwin’s Tree of Life’ [from public domain image, drawn by Darwin]
ThreePoems:CoralReveries.
Ian Irvine Hobson. Audio Version.
Poems: (3.)
(i.) Their Massive God
(ii.)The Noble Love of Freedom
(iii.) To Inhabit the Fields of Time
Poems by Ian Irvine (Hobson), copyright all rights reserved.
Please Note: many of these poems meditate upon or, in some cases rework/recombine, random phrases appearing in the 2nd edition of Charles Darwin’s The Voyage of the Beagle. The first edition of the work appeared in 1839. I hope I have done some justice to the natural lyricism evident in Darwin’s relaxed prose style.
Their Massive God
Whether I killed their God,
one and massive.
book-tombed, with chiselled words
on granite—his puny reign,
mere millennia—
was not the issue.
Mine was the gambler’s fear, for
the mist-wrapped hull of the new
drifts only slowly into view
contrasts with the rotting hulk of God
(as slowly sinking).
How will they endure
this unbearable in-between?
The Noble Love of Freedom
In the forest,
with huge butterflies
that float
among horses and men
such brilliant colours!
– they flit
from shade
to sunshine
I find it dreamy
to think of her
and ignore the granite hills
steep and bare
They tell a story
steep and bare
of runaway slaves
and the moon was dim
(a few fireflies)
and we came upon a desert
followed by a wasteland
of marshes and lagoons
heard the sea’s sullen roar
off in the distance.
We tethered the horses
but they refused to settle.
We tethered the horses
on a sandy plain
next morning, more salt lagoons
and a few stunted trees.
The nights grew hot, and
a dim moon on white sand.
Became aware
(the exact moment is not recorded)
of a problem with the horses.
We bathed in lakes and lagoons
traversed pastures ruined by ants’ nests
passed forests with lofty trees.
Every morning more horses
bitten and infected
until one evening
I saw it in the gloom
suctioned to a horse’s back
a large vampire bat.
I found it dream-like
blatant in the gloom
(How could I ignore the granite hills?)
But then I saw it
suctioned to a horse’s back
a large vampire bat.
To Inhabit the Fields of Time
The more I observe
‘mother nature’, the less
God I see,
the more in need of a God
(or gods)
I become. Even as I
refuse to believe their
broadcast baloney.
The idea gnaws.
I came upon a parasite
in some distant jungle—
it gives me wild ideas, and though
the doctors work their alchemy
I still feel ‘inhabited’. Besides
my son in a coffin.
So many blind millennia—
and still they refuse to see.
But is my vision true—
unencumbered by faith
(my daughter, my daughter)?
The clear and terrible beauty
of aeons of methodical suffering.
He never did intervene. If
he exists, he’s a patient sadist
or useless as the carnivores
of all ages, thrive and
evolve.
***
Ian Irvine is an Australian-based poet/lyricist, fiction writer and non-fiction writer. His work has featured in many Australian and international publications, including Fire (UK) ‘Anthology of 20th Century and Contemporary Poets,’ (2008) which contained the work of poets from over 60 nations.His work has also appeared in a number of Australian national poetry anthologies, and he is the author of three books and co-editor of many more (including Scintillae 2012, an anthology of work by over 50 Victorian and international writers and poets). He currently teaches writing and literature at Bendigo TAFE and Victoria University (Melbourne) and lives with fellow writer Sue King-Smith and their children on a 5 acre block near Bendigo, Australia.
Links related to his work are as follows:
robin@artvilla.com
www.facebook.com/PoetryLifeTimes
There is only love.Poem. Bhuwan Thapaliya
Grasping her hands closely,
I halt my heart
at the edge of her lips
and stare deeper inside
the lava of passion
ejecting shimmering
volcanoes of love.
I let myself slide
through her hand,
easing myself
deeper into her core.
With each cuddle,
the air shakes with joy;
the clouds of passion
grow thicker
– waves of mountain air
rumble past my soul.
A whisper
from beneath her core
– a rumbling moan –
fills my ear
and rolls across
my soul and beyond.
And in the tender
air of love
– destiny, direction,
and time seems to
waft away.
There is only love,
– two tectonic lips
colliding as one.
The earth shakes,
She pulls a flower
from my heart
and lifts it to the sky.
Bhuwan Thapaliya works as an economist, and is the author of four poetry collections. Thapaliya’s books include the recently released Safa Tempo: Poems New and Selected (Nirala Publication, New Delhi), and Our Nepal, Our Pride (Cyberwit.net). Poetry by Thapaliya has been included in The New Pleiades Anthology of Poetry and Tonight: An Anthology of World Love Poetry, as well as in literary journals such as Urhalpool, MahMag, Kritya, FOLLY, The Vallance Review, Nuvein Magazine, Foundling Review, Poetry Life and Times, Poets Against the War, Voices in Wartime, Taj Mahal Review, and more.
Author
Our Nepal, Our Pride
http://www.amazon.com/Our-Nepal-Pride-Bhuwan-Thapaliya/dp/8182531152
robin@artvilla.com
www.facebook.com/PoetryLifeTimes
KwameWriteAido.Keep Moving On.Poem. Audio.
http://www.hulkshare.com/kwamewrite/kwame-write-keep-moving-on
Further includes tracks by Kwame Write: when i was a child, this i put to you, Savanah love – Chief Mooment and Captivated.
Kwame’s love for wordplay has earned him online publications, awards from the Scrabble Association of Ghana and a couple of nicknames including Write. He is a nominee for the International Best Amateur Poet by World Poetry Organisation, a biochemist working as a health & safety consultant who believes that freelance writing, spoken word and rap are not only rich arts but tools for educating and inspiring people. Kwame Write founded Inkfluent which produced Vocal Portraits; a spoken word compilation that brought together 15 artists from 3 continents: Africa, America and Europe. When he’s not with the pen, he’s most likely playing beach soccer or making new friends over a bowl of fufu and palm wine. You can visit him at http://kwamewrite.blogspot.com/ and https://soundcloud.com/kwame-write-1
LINKS:
Twitter: @kwamewrite
Facebook: https://www.facebook.com/aidookwamecharles
***
editor@artvilla.com
robin@artvilla.com
www.facebook.com/PoetryLifeTimes
www.facebook.com/Artvilla.com
Keep Moving On. Poem. Kwame Write Aido.
keep moving on
I say
keep moving on
I hear
these grooving songs,
rhythm of the earth playing tap-dance with your feet
keep moving on
tap-dance with your feet
tap
pataptapatap
tap
like a rolling pebble
flung off free fingers
tossing on the streets
bouncing off asphalt
bouncing off like a rebel
rolling under moving cars
rolling through bike spokes
and off through a motor policeman’s legs
swift slow swirl swift soul spell
tap
pataptapatap
tap
keep grooving on
like gazelles grazing
on shrub-lands
at dawn when the orange sun kisses greying grains
where lions dens are dense
keep moving on
like a lion’s dance
before pouncing on a prey
breeze aligning mane
keep
moving
on
like a slum kid waking up with heat rashes
all over a body battered by life’s hardships
bedroom a 6 by 6 packed with 12 siblings
searches for a candle to light his unpaved path
light too low, he sees clouded dreams
sagged low pants,
Dre Beats hanging from his ears
intersecting with a left eye tear
and ride slow jams
and dry cold hands
and mind so tensed
and tap-dance with his feet
tap
pataptapatap
tap
he’s singing
same time praying in his head
he’s singing
praying his music
would top the list
and be the hit this year
playing his music
moving
like a slum kid musician’s tear
keep moving on
like a beach side black boy
biceps like blown balloons
clinging to coconut trees, climbing
like a child on to full breasts
for some milk
slices off the stalk of a coco
a look like a kid gone nuts
balancing boldly
like a dance
breaking it open to take a looooong sip
throws the roughage off
and starts sliding back south
bare arms, chest
sliding like a dance
against the rough edges
one then the next,
brave-heart
grooving on
even when the mood is wrong
he sets sail with his heart
he’s down from the tree
he’s off to the sea
sets snail-step sways
on ocean floors of earth’s palate
under water
plop!
over water
surfing with a piece of plastic
like a dance
rhythm like the tap-dance
and tap-dance with his feet
tap
pataptapatap
tap
keep moving on
even when echoes become walls
and rebound efforts into nulls
even in a free fall
floored, flee all, fly find fortune,
do not fade into the future
like a tear
unattended to
live the present
with the past behind
and bad memories with folded rags
and mistakes with no carbon copies
and smiles within songs
and an open heart
with love as inner decor
bearing hope in hands
reaching for peace
keep
moving
on
***
Kwame’s love for wordplay has earned him online publications, awards from the Scrabble Association of Ghana and a couple of nicknames including Write. He is a nominee for the International Best Amateur Poet by World Poetry Organisation, a biochemist working as a health & safety consultant who believes that freelance writing, spoken word and rap are not only rich arts but tools for educating and inspiring people. Kwame Write founded Inkfluent which produced Vocal Portraits; a spoken word compilation that brought together 15 artists from 3 continents: Africa, America and Europe. When he’s not with the pen, he’s most likely playing beach soccer or making new friends over a bowl of fufu and palm wine. You can visit him at http://kwamewrite.blogspot.com/ and https://soundcloud.com/kwame-write-1
LINKS:
Twitter: @kwamewrite
Facebook: https://www.facebook.com/aidookwamecharles
***
editor@artvilla.com
robin@artvilla.com
www.facebook.com/PoetryLifeTimes
www.facebook.com/Artvilla.com
White Heat.Poem. Trevor Maynard.
The mountain is there to be climbed
The weather its own
Maybe violent maybe calm
Funny like Cagney
“Ma, Top of the World!”
We are its guests
The soon to be honoured dead should it decide,
To object to our trespass
To growl and bite back
Conquerors in oxygen masks and with frost-bitten toes;
Are mere Yankee doodles in gangster shoes and clothes
Funny like Cagney
Heroes die as easily as unclean rats
Svengalis, deities, autocrats
The mountain does not forgive
It just is
White heat
© Trevor Maynard from his collection Keep On Keepin’ On ISBN 978-1480052499.
Trevor Maynard is also editor of the anthologies The Poetic Bond
ISBN 978-1466498419 and The Poetic Bond II ISBN 978-1480209732
“Kneeling Before Anubis, Lazarus Wept” Poem.Joseph Armstead
(whisper)
Atop the Temple of the Sun,
bathed in radiant gold,
starlight blasts away our masks…
i.) Kissing the Eyes of the Dead
midnight oxygen flows to earth, littered
with dessicated pumpkin seeds
and the fading remnants
of communal nightmares,
haunting the City Primeval,
we dance a jingly-jangly foxtrot
across oil-stained, debris-strewn streets,
not daring to look one another
in the eyes,
never catch our taffy-pulled,
Francisco de Goya-esque
reflections
in the windows
to someone else’s soul —
it is a brittle kindness,
it is a neurotic’s etiquette
— wanting, lusting,
desiring, thirsting
to place our lips
in icy benediction
upon the closed lids
where old copper pennies
are destined to rest.
ii.) This Pillow Of Cadavers
It’s hard to breathe
— pant? wheeze? gasp? choke? —
when you’re wrapped
so tightly around me,
constricting
and yet a comfort
against the maelstrom
abroad the screaming face
of this shrunken head world,
we lay our heads down
on a bed of broken yesterdays,
eyes happily shut
against the relentless
spinning
of our whirlygig minds,
seeking stillness,
wanting a suspension
of painful animation,
praying for sleep
atop an altar of flesh
decomposing…,
we inhale and the scent
of dissolution
lulls us into dreaming,
and, finally,
our lungs grow still.
(mutter)
The thing struggling in the mud
at the great temple’s base weeps,
frustrated and blind…
***
BIO
Joseph Armstead is a suspense-thriller and horror author living in the United States’ San Francisco Bay Area. Author of a dozen short stories and ten novels, his poetry has been published in a wide range of online journals, webzines and print magazines. A mathematician, Futurist and computer technologist, Mr. Armstead’s poetry often defies easy description, but frequently includes neo-classical imagery, surrealist viewpoints and post-modern themes.
http://redroom.com/member/joseph-armstead
http://www.amazon.com/Condemned-Of-Heaven-Joseph-Armstead/dp/0578013665
***
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