MACHINUS ROFOCALE. A Poem by Joseph Armstead

 
 
Tinny, brittle music wafts like cigar smoke

    from out the open doors to a dingy bar,

where the leather-coated Machine Men speak

    through plastic masks in rough whispers.

 
Today, the lemon sun above the amber fog of industrial haze will not shine —
 
And my Dream of You asphyxiates, ink-smudged and soiled, sinking into a bed of clouds…
 
 
i. The Exquisite Concatenation of Elastic Chaos
 
The victims march single file from the set
of a televised Game Show
where Time and Mind are manipulated
by strange mathematics and arcane
sorcery
as the Automaton Master of Ceremonies explains
to these departing, blank-eyed contestants,
the Rules of Engagement for their commercial gain.
 
It’s all white noise
filtered
through a sound mixing board
by a synesthesiac
madman.
 
There is a sense of Order beneath
the overly-regimented
facile architecture
presented with unearned fanfare
to a comatose viewing audience.
 
Seeing this past the sutures
that have sewn its eyes shut,
Chaos is weary, but nonetheless amused.
 
The march of the disenfranchised penguins goes the wrong way.
 
Something bad is happening.
 
 
ii. A Spectrum of Contradictions in Deepest Black
 
No one is supposed to talk about it.
No one is supposed to know about it.
The secret is not kept hidden.
 
Maybe it is best that way.
Maybe transparency is best.
Maybe we need to know
that which we do not
want to know,
even though we have
subconsciously
suspected it
all along.
 
The Truth does not set you free.
 
It invades you like a virus,
invading, unwelcome and infectious,
and our expectations
darken and curl at the edges,
like smouldering paper as it burns.
It battles with our natural defenses,
revealing our immuno-deficiencies,
spotlighting weaknesses
in the Body Politic.
 
Chaos is weary, but nonetheless amused.
 
Something bad is happening.
 
 
iii. The Collapse of Zazen Structure During Fractured Fission
 
It is a quiet night in Shadow-Town.
The echoes of Industrial Authority
have begun to fade like the hush
of a far distant surf upon
the debris-strewn shore.
 
You are in my vision,
a focus of painful ecstasy,
the rupturing of heavy nuclei
under the relentless, streaming
assault
of acrimonious proto-atomic
catalysts,
a rain of beauty and tragedy and fury,
 
… a dream …
 
accompanied by the sound of murmured prayers
spoken in an empty, unhallowed hall of mirrors
 
A consecrated Mass
that dares not be spoken
too loud, lest the potency
of its message
be lost
past the dark, open maw
and down the deep gullet,
of a bird of carrion prey.
 
I can see the blossoming
delicacy
of your growing decay,
an alien viral corruption.
Seeing this past the sutures
that have sewn its eyes shut,
Truth does not reveal itself.
 
Maybe it is best that way.
 
The leather-coated Machine Men
are pallbearers
of my Dream Of You.
 
Chaos is amused, but nonetheless bitter.
 
Something bad is happening.

 
 
 
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BIO

Joseph Armstead is a suspense-thriller and horror author living in the United States’ San Francisco Bay Area. Author of a dozen short stories and ten novels, his poetry has been published in a wide range of online journals, webzines and print magazines. A mathematician, Futurist and computer technologist, Mr. Armstead’s poetry often defies easy description, but frequently includes neo-classical imagery, surrealist viewpoints and post-modern themes.
 
 
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Cogitation of a Soul…A Poem by Anca Mihaela

 
 
Your Look concaves my retina…
Truth… dripped from my Eye!…
Each moment is moisturized
by fractured fractals.
 
Engaged in your disengagement
in this residual stillness,
my past Self… still spins
inside an alabaster universe…
 
Choice?… just an illusion
in these phosphene empyrean dreams,
the place… where your Name
shines in parallaxes!…
 
I know… Now… Your words
cannot satisfy my thoughts.
I am left here…
reflecting thousand times
your feathered images…
 
Logarithmic mirrors watch me
how I climb my own
bibliography of a Wish!…

 
 
Anca Mihaela Bruma - Image
 
Anka Mihaela Cogitation of a Soul
 
Anca Mihaela Bruma – Short Bio
 
My name is Anca Mihaela Bruma, I am Romanian living in Dubai/UAE. My love for poetry started when I was just 9 years old, when I registered myself to some creative poetry writing group. It was a turning point for me as I started to discover the mysteries of the written word and its impact on the readers. Since that early age, I have always viewed writing poetry as the perfect medium which is able to depict profound unfathomable complexities of someone’s life or life itself, to render into words that which is unsayable, that ineffable, which can be truly deeper than the language itself. Through my writings, as well years of readings, I always looked to seek something beyond that which was apparent to others! I was fascinated to see how different aspects of truth were transfigured by different emotions, how experiences were poetized. I pursued seeing beauty expressed in all forms of art, not just poetry; creating a “thirst” within me to explore more and more for the knowledge of the mystery beneath and beyond it, as a symbol of something greater and higher with its own power to immortalize the expressions over the years.
 
Facebook: Anca-Mihaela

 
website as artist: http://marmoset16.wix.com/ancabruma
 

 
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Done with a liaison. A Poem by Aparna Pathak

 
Remember how much you liked
every word I wrote on your screen,
interpreted in your own way.
Research was focused
on vulnerable valency.
I sat answering all the queries
benefitting you to find techniques
to get me involved.
 
Your thesis didn’t take long to finish
and you then wanted to start afresh.
Some relationships end like experiments.
Nothing is required once your page ends with,
‘hence proved’.

 
 
aparnaiit

Bio:
Aparna Pathak belongs to Delhi, India. Graduate in English (Honors) and post graduate in public relations , her poems have been published in more than 30 print anthologies, online publications and also various literaty magazines like twice in “Reflections”, and Negative Suck, Rolling Thunder Press, and blue Cygnus. One of her poem has been awarded the commendation of ” Highly Commended ” in the Poem of the Year Category of the Destiny Poets’ International Community of Poets ICOP Awards 2012. Her own book of poetry, “silent flute ” was published in January 2014.

www.facebook.com/aparnapathakchaturvedi

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You’ll Thank Me Later. A Poem by Ron Olsen

 
 
Trust me
It’s for your own good
You’ll thank me later
You need only turn to face yourself
 
Wealth speaks to poverty
Centurions to slaves
Lords to peasants
Bourgeoisie to the Proletariat
 
No healthcare costs
No harassment issues
No sick time
No vacation required
No request for family leave
No retirement plan
No bereavement leave
No union fights
No confusion
No complaints
No liability
No people
 
Just machines
 
Quantifiable
Reliable
Inorganic
Cost effective
Profitable
Without complaint
Personality without soul
Intellect without compassion
All needs fulfilled
All care eliminated
Life without humanity
 
Trust me
It’s for your own good

 
©2015 – Ron Olsen/all rights reserved
 
walden pond 005
 
Ron Olsen is a Peabody and Emmy award winning journalist based in Southern California. He is recently retired from the Tribune Company, where he was stationed at the Los Angeles Times, working with the newspaper’s writers and editors to adapt newspaper stories for KTLA-TV. He is the author of more than one-thousand essays and an occasional poem. His essays have been published by several local papers in the Los Angeles area. He began writing poetry just recently. He says he loves the craft of saying more with fewer words, with each word playing a significant role in the piece. “I am sometimes struck by my poetry”
he says.”I’ll look at what I’ve written and wonder where it came from-some wellspring that’s beyond my understanding. What a strange and wonderful process.”

 
 
A more complete bio can be found here –
https://en.wikipedia.org/wiki/Ron_Olsen
http://workingreporter.com/wordpress/a-question-of-priorities/
or at his blog at
http://workingreporter.com/wordpress or his Facebook page at
https://www.facebook.com/workingreporter?ref=bookmarks

 
 
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After the Dead. A Poem by Robin Ouzman Hislop

 
 
Are my dreams of the dead
dreams of purgatory
battered, wounded as they are?
 
Where I live now!
 
The mad struggle of the dead
in the vacuous corridors of time.
 
Really, they’ve gone
they don’t return, except as myths
to reinvent time.
 
Our time of broken dreams
 
‘creatures of tradition moulding a nature
that weeps not for us for the wounds
it heals, impervious
after it nurtured us into existence’
 
Blind Tiresias had warned.
 
As if we had a choice in this paradox
as if we could escape
the blunder which created us
 
the cosmic joke, where time
will destroy even the world
for time to be reborn.
 
In this dream world, where I
only seem to wake
to this small dance of words
a dance of phantoms with their shadows
where this poem shapes its becoming.

 
 
OLYMPUS DIGITAL CAMERA
 
 
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[the betrayal of a tree] A Poem by Yuan Changming

You long to be a Douglas fir
Tall, straight, almost immortal
But you stand like a Peking willow
Prone to cankers, full of twisted twigs

Worse still, you are not so resistant
As the authentic willow that can bend gracefully
Shake off all its unwanted leaves in autumn
When there is a wind blowing even from nowhere

No matter how much sunshine you receive
During the summer, you have nothing but scars
To show off against winter storms
The scars that you can never shake off

IMG_1851(1)

[bio info]:: Yuan Changming, 8-time Pushcart nominee and author of 5 chapbooks, is the most widely published poetry author who speaks Mandarin but writes English: since mid-2005, he has had poetry appearing in Best Canadian Poetry, Best New Poems Online, London Magazine, Threepenny Review and 1069 others across 36 countries. With a PhD in English, Yuan currently edits Poetry Pacific with Allen Qing Yuan in Vancouver.

poetrypacific.blogspot.ca/
http://poetrypacificpress.blogspot.ca/
http://www.facebook.com/poetry.pacific
http://yuanspoetry.blogspot.ca/

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Charter for Peace | Anthem. A Poem by Prabhu Iyer

1. Prologue
 
Splash words across: images on canvas. 
Before Abraham was, I am:
the cubist of poets. Mangled and tangled;
Here thoughts emerge, in reverent perspective. 
How many, the dimensions? Monotone 
in my unidimensions. Filter. Baritone. 
Coffee-brown is the best colour around.
 
2. Love
 
Here we sit by two-arms distance. To north, 
to south. Facing opposing poles. 
There is an attraction.
 
Here are images from the industrial world 
gone post-industrial. Broken commodes.
Outsource your misery here. The sky can afford
a hole from on here. As long as 
there’s none in my shoe.
Sometimes, I roll over in waves.
Sometimes, you wave over.
Questions still hidden in the corners.
 
3. Peace
 
All that’s passed remains flickering
green like the wireless router
silently at nights: recover, play it over.
Flush it all up. Splash it all around. Cubism.
Art nouveau. Portmanteau. Now fruck the world.
Neon shades rippling through the smoke,
laughter like that of an empty skull:
smoke the pipe, brother, 
spread the peace around.  2013, stupid. 
Idealism died in ‘67. And many times since. 
Repeats always a farce.
 
4. Spirit
 
Only one man died for the poor. 
Who else called the dead to life?
All other stories are about barons and hedgehats:
while the millions were ground over
to oil the world. While they roiled the world.
How the poor die under the heels
of those that claim to love that man?
 
Agree? Take the throne. Disagree? Drone.
 
Yes, we can, brother, we can defeat this
corruption, bloody. Brother, 
be not corrupt. 
 
5. Prospect
 
A sigh of disapproval, soft in sleep.
I come and lie, back to your back,
waiting for love to seep over.
 
Yes, we can, brother, we can overcome 
bigotry vile. Brother, 
say not, mine, the only way ever.
 
Happy lovers day. Shout out aloud,
peans more to the meek women’s rights. 
Forget not, there’s some in your sights.
 
Two arms’ distance is about the right in the day.
There are two faces seen in this bubble,
formed at the mouth of the tube.
 
Peace to the world, every morning after.
Every little home by home.

 
 
PI_Portrait_Oct10
 
 
Educated in India and England, Prabhu Iyer writes contemporary rhythm poetry. He counts the classical Romantics and Mystics among his influences. Among modern poets Neruda and Tagore are his favourites for their haunting and inspirational lyrical verse. Prabhu has also explored the meaning of modern art movements such as surrealism and cubism and their role in anchoring the society through his art-poetry. Currently he is based out of Chennai, India, where he has a day job as an academic scientist.
 
In 2012 Prabhu collected over 50 of his poems and self-published them on Amazon Kindle: Ten Years of Moons and Mists More recently, his 2014 entry made it to the long list from among over 5000 entrants to the annual international poetry contest conducted by the UK-based publishing house, Erbacce Press. Some of Prabhu’s poems are at http://hellopoetry.com/-prabhu-iyer/ His major current projects include a further volume of poetry, his first fictional novella and a planned series of translations of lyrics from Indian film music.
 
 
Editor’s Note:
for further information see Interview with Prabhu Iyer at this site
 
 
 
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Secretariat: The Red Freak, The Miracle by Lyn Lifshin

ON A NIGHT HERONS WERE DIVING THRU THE WAVES OF NIGHT
 
up in the forties weeks
past heavy February snow.
Geese on the pond. Bleak,
drizzly. Black mist over
Meadow Farm. Grass
flattened, matted as in
hours straw will be in the
foaling shed, a dark rose
spreading under the mare’s
heaving sighs
 
WET GRASS DARKENING
 
the walk past the barn
as blood would matted
straw before it was
light again. Two figures
cross the lawn, the
wildness of geese in the
distance. The men
get in a car. One bulb
hangs in the foaling shed.
Under the almost
jade slopes roots are
growing. The mare
calms herself with groan
songs as milk begins
to wax, pearls on
her nipples like
a bud opening
 
THRU MIST, ONE LIGHT IN THE FOALING BARN
 
the drizzle, close to freezing.
In barn 17 A, the brood
mare, Somethingroyal,
carries the last foal of Bold
Ruler, dying in Kentucky.
Milk on her nipples. if
the rafters. If rafters could
talk they would be singing
soon he will be yours and
you must take care of
what you’ve been given
 
THRU DAMP FIELDS PERFUMED WITH OAK LEAVES
 
the men moved thru drizzle
to barn 17 A, moved over
gravel in grey fog, moved
toward the one light. The
mare was breathing fast.
she was warm and sweaty,
edgy. She was circling
as if caged. Then she was
lying on her side. Then it
was just a heart beat before
the tip of a foot burst into
flower, the first petal of
what would flower
 
MARCH 30, JUST PAST MIDNIGHT
 
She was warm and her
nostrils, wild. Ready,
nearly ready. Only
the mare’s breath like
a silence you could
understand. The mare
on straw on her side
and just past midnight
the tip of one foot.
Then, gently as some
one kissing eyes that
are crying, the foaling
man reached in to ease
a folded leg out of the
birth canal
 
ONCE THE SHOULDER EMERGED
 
the men moved closer in the
long blue damp wind. Blood
on the warm straw. The mare’s
body opening. The men pull
gently. Slosh of water and
then the foal’ s slippery body,
iodine and the smell of birth
in the wind the minutes
after midnight. “A wooper,”
some. ” “white feet, a lovely
colt,” in Secretariat’s record
fan book. “Lovely,” was
underlined twice.
 
PAST WILLOWS ON THE MOST WESTERN EDGE OF THE FARM
 
The mare’s udder swells
with milk, something
wax like drying on her
nipples like the just
polished swirls of wood.
After her wild breath,
the heaving, the blood,
three feet and a star,
dark flowers of his hair
against the drained mare
falling back easily as
the wind rising up
from North Anna’s
River
 
RIVETED TO SECRETARIAT’S BURSTING FORTH
 
those easing him from
Somethingroyal’s body
said he was on his feet
in twenty minutes, in
45 he was nursing. “Big
strong, male foal with
plenty of bone.” Warm
breath of horses, Carolina
Riverwind. In her log,
Elizabeth Ham the farm
secretary wrote “well
made colt, good straight
hind legs, good shoulders,
good quarters: you
have to like him.”
 
IN PENNY CHENNERY’S NOTEBOOK AFTER THE NIGHT OF DRIZZLE, RAIN
 
as the river settled
and willow leaves
yellowed: one
word: Wow
 
WHEN A LEGGY FOAL COMES INTO THE WORLD
 
and cherry boughs are
swelling, hope flowers
like these buds. When
the foal seems different,
unlike others, who
doesn’t dream it can
go the distance, that a
“miracle has arrived”
 
HE WAS DIFFERENT
 
someone who was around
Secretariat from the time
of his birth said he was
different. Just walking
the horse in the paddock
it was as if the wind
tongued the cups of his
ears and he a flash, if the
handler lost focus, the
horse knew it
and was gone
 
JUST WALKING THE HORSE TO THE PADDOCK
 
a bruiser some
one said bigger than
the other foals his age.
His legs barely
touched the ground
under the shiny trees.
He could cuff the other
foals, bite and
kick . He was playing.
Licked by his
mare, not only at
birth but long after
with everyone touching
and holding him he
grew bolder,
confident
 
HE HAD A MIND OF HIS OWN
 
wild for something
deep in the bodies of
trees. He’d bolt in
a breathbeat. “A very
aggressive type colt.”
Jazz in the air. Ghostly,
magical. A loop thru his
halter to keep him in
check
 
ON THAT FIRST DAY WAS SOMETHING ROYAL
 
his mare panting?
puzzled? Those huge
shoulders. Something
she couldn’t see
quivering thru her.
The mare had foaled
easily before but
this time, even with
her feet on the dirt floor,
easier footing than
cement but this time
with the foal’s fore leg
folded like a petal
before it opens,
someone following
the mare’s contractions
gently eased him out of
the birth canal. Beautiful
the vet remembered,
his legs were perfect,
he had a beautiful
head and was
red as fire

 
Lyn_at_horse_museum_close_small
Lyn Lifshin at the Horse Museum
 
Lyn Lifshin has published over 140 books and chapbooks and edited three anthologies of women’s writing including Tangled Vines that stayed in print 20 years. She has several books from Black Sparrow books. Her web site, www.lynlifshin.com shows the variety of her work from the equine books, The Licorice Daughter: My Year with Ruffian and Barbaro: Beyond Brokenness to recent books about dance: Ballroom, Knife Edge and Absinthe: The Tango Poems. Other new books include For the Roses, poems for Joni Mitchell, All The Poets Who Touched Me; A Girl goes Into The Woods; Malala, Tangled as the Alphabet: The Istanbul Poems. Also just out: Secretariat: The Red Freak, The Miracle Malala and Luminous Women: Enheducanna, Scheherazade and Nefertiti. web site:www.lynlifshin.com

 

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