poet

This notion of time having a real job to do immediately put me in mind of John Archibald Wheeler: “Time is what prevents everything from happening at once.” Hislop may be onto something even more subtle: Does time keep chaos at bay, allowing time for our disparate senses to marry their qualia into a coherent universe? Perhaps those with Synesthesia are more evolved creators of worlds, their gaps between sound and vision less discontinuous.
 
‘Maps’ delivered me to a speculation I wouldn’t have reached otherwise. And I find that’s a critical function of Hislop’s poetry. It gathers, then points away. More important than the resolved landing place is how it offers a hospitable ‘symposium’, couching philosophical fields of inquiry within poetic metaphor from which the reader’s own speculative arcs can then rise and take tangential flight; speculations feeding speculations. What does resolution ever resolve anyway? Conclusions are overrated. The concrete of the concretists doesn’t exist in a world:

Tumbling down rabbit holes beats rabbit stew any old day, especially when the universe may have us fixed for the next tasty, sentient bunny-in-line. In this sense I would call Hislop’s poetry inviting, intelligent, and refreshingly non-binding.
 
In ‘From Here to Silence, three’, he sets up a free will versus determinism tug-of-war stalked by Nietzschean recurrence and Leonard Susskind’s holographic 2D picture-show. You got a problem with that, Rod McKuen?

The stanza ends on the plaintive hope, reminiscent of Kafka that our cycle of error could end if freewill achieved grace but for an instant. Let us hope that moment arrives as I’m so tired of breaking my shoelace the day before Thanksgiving forever.
 
Am I losing the yucksters in all the heavy universe lifting? Not so fast. Hislop can be funny too. ‘At a Slant’ has a droll quality that still draws a snicker if for no other reason than that we’re stuck, all together (‘but it’s the same for all of us!’):

The con of life
 
the weirdness of its melodramatic sham
how good we are at yesterday, tomorrow
always better than before
like, being had – in the process by it.

The juxtaposed tenses of being had cement the interminable predicament we share. No exit. But at least we perfect our yesterdays until such time as we resume them anew, becoming rank amateurs all over again. But amateurs with a difference, with a modicum of acquired wisdom and an almost imperceptibly elevated rank. Okay, so it’s bleak, black humor. But there are shafts of light. One day, though maybe yet a half-eternity away, some butterfly will escape the dark matter of our descending shoe. (Butterflies pervade Hislop’s poetry.) We’ll be released to the next pristine universe armed with a butterfly-brain’s worth of hard-earned prescience. So yes, each successive Big Bang is not an unadulterated singularity. Some kernel of hard-earned wisdom gets borne through. Each new universe is a tooth on a slowly revolving gear that turns towards…perfection? In short, something barely better.
Since Hislop asks, that’s what—I think, I hope—may be ‘next’:

Pack, the near infinite
(in—the moment before you munch)
take a bit of the biscuit
before the Big Crunch
it’s an eternal packet
& having all, what’s next?—from ‘Lucky Hat Day’

All the Babble of the Souk will have you pondering your predicament in a whole new imaginative light. Reflect well my friend, as mindless impulsivity, and materialist inanity, is precisely what dangles this eternity over the interminable abyss. Therein may lie our paper-thin chance for freedom: by insect increment, one pardoned butterfly per eon at a time.