Changing Wind. A Poem by Steve Klepetar

 

Across this continent of snow I hear
my mother’s voice, faint and distant, scratching
against my door:

    “cold” she murmurs, “chilly
    for New York, and the wind, oh the wind…”

changing wind and swirling snow, eidolon
rising from the dark
 
in Saint Cloud air still as glass and
cold, ten below in useless morning sun, knife
blade breaths and bony
 
fingers of oak, we are strung
across trees, hanging in branches, festive
 
and fat as hens in red coats and blue, our fog
breath tinsel thin around faces blurry with tears
 
oh mother, where have you left your throat,
that shofar of flesh? Whose name do you sing
when stars linger, arrowheads of ice in winter sky?

 
 
SteveLadysmith
 
 
Steve Klepetar’s work has appeared worldwide, in such journals as Boston Literary Magazine, Deep Water, Expound, The Muse: India, Red River Review, Snakeskin, Voices Israel, Ygdrasil, and many others. Several of his poems have been nominated for \Best of the Net and the Pushcart Prize (including three in 2015). Recent collections include Speaking to the Field Mice (Sweatshoppe Publications, 2013), My Son Writes a Report on the Warsaw Ghetto (Flutter Press, 2013) and Return of the Bride of Frankenstein (Kind of a Hurricane Press).
 
 
www.facebook.com/PoetryLifeTimes
www.facebook.com/Artvilla.com
robin@artvilla.com
editor@artvilla.com

 
 
http://www.aquillrelle.com/authorrobin.htm
http://www.amazon.com. All the Babble of the Souk. Robin Ouzman Hislop
www.lulu.com. All the Babble of the Souk. Robin Ouzman Hislop

Share and Enjoy !

Shares

Lost my Love at the Louvre. A Poem by Mark Antony Rossi

 
Locked in this sea of oil paint and perfume
I danced with a girl in front of Mona Lisa
We laughed and made the guard smile
And agreed to dine at a street cafe
But that kiss
As much as it teased our hard bodies
And tempted our mortal souls
Became a fragment vanished
In the pieces scattered that fateful night
When amoral monsters made
A restaurant into a cemetery.

 
MRossi
 
Mark Antony Rossi’s poetry, criticism, fiction and photography have appeared in The Antigonish Review, Another Chicago Review, Bareback Magazine, Black Heart Review, Collages & Bricolages, Death Throes, Ethical Spectacle, Gravel, Flash Fiction, Japanophile, On The Rusk, Purple Patch, Scrivener Creative Review, Sentiment Literary Journal, The Sacrificial ,Wild Quarterly and Yellow Chair Review.
http://markantonyrossi.jigsy.com

 
 
www.facebook.com/PoetryLifeTimes
www.facebook.com/Artvilla.com
robin@artvilla.com
editor@artvilla.com

 
 
http://www.aquillrelle.com/authorrobin.htm
http://www.amazon.com. All the Babble of the Souk. Robin Ouzman Hislop
www.lulu.com. All the Babble of the Souk. Robin Ouzman Hislop

Share and Enjoy !

Shares

Disregard. A Poem by Gary Beck.

 
Dreams of falling
from perilous heights
snap us awake
just before impact.
Dreams of pursuit
by malevolent hordes,
snap us awake
just before capture.
Unconscious activity
denies nature’s mandate
for refreshing rest,
designed to prepare us
for demanding tomorrows.

 
 
 
Gary pic

 
 
The Remission of Order’ explores the search for stability in this confusing life, in which so many of us want security, but fail in our efforts to achieve a satisfactory existence, my next collection that I’ll seek to publish.
 
 
Gary Beck has spent most of his adult life as a theater director, and as an art dealer when he couldn’t make a living in theater. He has 11 published chapbooks. His poetry collections include: Days of Destruction (Skive Press), Expectations (Rogue Scholars Press). Dawn in Cities, Assault on Nature, Songs of a Clerk, Civilized Ways, Displays (Winter Goose Publishing). Perceptions, Fault Lines and Tremors will be published by Winter Goose Publishing. Conditioned Response (Nazar Look). Blossoms of Decay will be published by Nazar Look. Resonance will be published by Dreaming Big Press. His novels include: Extreme Change (Cogwheel Press) Acts of Defiance (Artema Press). Flawed Connections (Black Rose Writing). His short story collection, A Glimpse of Youth (Sweatshoppe Publications). His original plays and translations of Moliere, Aristophanes and Sophocles have been produced Off Broadway. His poetry, fiction and essays have appeared in hundreds of literary magazines. He currently lives in New York City
.
 
www.facebook.com/PoetryLifeTimes
www.facebook.com/Artvilla.com
robin@artvilla.com
editor@artvilla.com

 
 
http://www.aquillrelle.com/authorrobin.htm
http://www.amazon.com. All the Babble of the Souk. Robin Ouzman Hislop
www.lulu.com. All the Babble of the Souk. Robin Ouzman Hislop

Share and Enjoy !

Shares

Roof Tops. A Poem by Ananya S Guha

 

Roof tops are mad
rattling, whispering
groaning. They love noise
that is piquant.
They love silences of time.
Their lunacy is immeasurable
and then they chortle.
No, they are not humorous
their bland movements
are to be taken seriously.
And when rains pound heavily (on them)
they raise voices in chorus.
Sometimes birds, rabbits, dogs and monkeys climb
on to them in parasitical delight
when night’s heaviness weighs on silences.
 
Roof tops then articulate movements
of steady sound. Rat- a- tat. Sounds
that impinge dreams, hallucinations.
Ghosts walk on them.
 
As a child roof tops hurtled into sleep.
Still harangue.

 
 
DSC_0018
 
 
Ananya S Guha has been born and brought up in Shillong, India and works in India’s National Open University, the Indira Gandhi National Open University. His poems in English have been published world wide. He also writes for newspapers and magazines/ web zines on matters ranging from society and politics to education. He holds a doctoral degree on the novels of William Golding. He edits the poetry column of The Thumb Print Magazine, and has published seven collections of poetry.
 
 
 
www.facebook.com/PoetryLifeTimes
www.facebook.com/Artvilla.com
robin@artvilla.com
editor@artvilla.com

 
 
http://www.aquillrelle.com/authorrobin.htm
http://www.amazon.com. All the Babble of the Souk. Robin Ouzman Hislop
www.lulu.com. All the Babble of the Souk. Robin Ouzman Hislop

Share and Enjoy !

Shares

Lost. A Poem by ​Akpa Arinzechukwu

 

Over there on the map,

Is it not Lagos?

Finely a city baptised in wonders

But my wife says

All that glitters can take away your life.
 

When I left for the city,

My wife knew I would not come back

Home again as her man;
 

She knew I would become

A strange man in her life soon,

And surely,

Strange a man I became

And our lives changed,
 

Not for good

And not for bad either.
 

I went to the city

And my life was taken away:
 

In the city,

I lost my fatherhood, husbandhood and lovehood

And I became nothinghood

Because I was busy going after wind.
 

Over there on the map,

Is it not Lagos?

Finely a city baptised in wonders

But my wife says

All that glitters can take away your life.
 
 
 

Poet's Picture
Poet’s Picture

​Akpa Arinzechukwu is a Nigerian born poet, environmental activist, blogger and tutor. His works have appeared or will feature on Fundza, Visual Verse, Eastlit, Poetry Pacific and elsewhere. He is currently working on his collection of poetry.
 
 
 
www.facebook.com/PoetryLifeTimes
www.facebook.com/Artvilla.com
robin@artvilla.com
editor@artvilla.com

 
 
http://www.aquillrelle.com/authorrobin.htm
http://www.amazon.com. All the Babble of the Souk. Robin Ouzman Hislop
www.lulu.com. All the Babble of the Souk. Robin Ouzman Hislop

Share and Enjoy !

Shares

Reviewed by Marie Marshall, Robin Ouzman Hislop’s 2015, All the Babble of the Souk. Collected Poems.

    Robin Ouzman Hislop’s new collection of poems – I find myself wondering instead of just reading on and enjoying the ride. Because Robin’s poetry is often just like that, a ride, which contains lines like –

    The hag in her rags begs her bag
    holding all shadows to account.

each a new thought after a pause for breath, or so it seems, each with an image that sparkles, almost with effrontery. That’s how I like my poetry – image, sound, and bare-faced cheek.
As the images pile up, or maybe I unearth more as I drill down, discovering depth in the poetry, the typographical puzzles pile up too, and I begin to wonder if they are deliberate cantrips on the poet’s part. I hope they are. I hope they are, because I want to trust the poet’s intentions. I know he’s not your average Internet Joe, but a man with a mean, keen pen. He knows how to play, how to make free, how to brew poetry:

    Riding along in our dream machine
    our virtual reality all but a scream
    no exit
    blood on the wind screen, faithful Fido’s gone
    the machine’s a mess, – every where’s a gas.

    A trickle through a diaphanous sheen
    a thin crust peels, roll the dice
    a question of ethics, the cost of life.

Y’know, somewhere along the line, Ezra Pound and John Cooper Clarke rolled dice for this man’s soul, and I can’t say who won. Maybe he walked away laughing while the bones still tumbled, soul intact. I hope so. He has the measure of our suburbs, seeing how

    gleamed cleaned cars
    the phallus of a Sunday afternoon

let us (you’re here too, and I have morphed into ‘we’) catch our reflection in that polished surface, wondering how to measure the depth of the shine. Meanwhile

    Danger, Deep Water, Keep Out

As if we could. There are caesuras in this collection, but they almost seem accidental, as though titles, page breaks, and stars merely interrupted a flow of thought momentarily. The collection has the feel of a single work, as though the poet sat down, started at the beginning, wrote the middle, and stopped at the end. See? The golden arches of a fast-food outlet, the taunts of a cuckoo, big Sunday words like ‘bifurcation’, ‘pheromone’, and ‘olfactory’, all rub shoulders, and rub along. We ride. It’s the same ride all the time, but the scenery outside the window shifts, and fellow passengers come and go. Occasionally we get off, but only to stretch our legs

    As we celebrate
    life lies dead on the table
    we eat it.

and then the ride starts again. But a short offering like that reminds me that on the return journey I must insist on long enough to read each poem on its own…
and I’m by myself again, closing the book at its final page. Second impressions:
The poet is aware of the shape of his work on the page, of its concreteness. The poet knows when to be serious and when not to, and he knows when to muddy the water of each with the other. When he says ‘Watch my stick’, you hear ‘This means you!’ The poet can make a dream return from the rubble of artifice. I know poetry when I see it.


 
 
Bio – Marie Marshall (3rd person)

MM is a middle-aged Anglo-Scottish author, poet, and editor, who says little about herself, preferring to let her writing speak. She has had three novels published, two of which are for the young adult / older children readerships. Both of her collections of poetry are currently in publication. Naked in the Sea (2010) in its 2nd imprint, is available in e-book form direct from publishers P’kaboo and in Kindle version on Amazon; the 1st imprint may still be available in print, if you enquire at Masque Publishing of Littlehampton. I am not a fish, nominated for the 2013 T S Eliot Prize, may be bought direct from publishers Oversteps Books. Marie has had well over two hundred poems published in magazines, anthologies, etc., but has not submitted anything since 2013. The most unusual places in which her poetry has appeared are on the wall of a café in Wales, pinned to trees in Scottish woodland, and etched into an African drum in New Orleans Museum of Art.


 
 
 
www.facebook.com/PoetryLifeTimes
www.facebook.com/Artvilla.com
robin@artvilla.com
editor@artvilla.com

 
 
http://www.aquillrelle.com/authorrobin.htm
http://www.amazon.com. All the Babble of the Souk. Robin Ouzman Hislop
www.lulu.com. All the Babble of the Souk. Robin Ouzman Hislop
https://www.amazon.com/author/robinouzmanhislop
http://www.innerchildpress.com/robin-ouzman-hislop.All the Babble of the Souk

 

Share and Enjoy !

Shares

Poem by Alok Mishra

 
“Life,
strange courses
and cobwebs of mirage,
once you come
seldom you escape!”

 
 
Alok Mishra
 
 
Alok Mishra, 24, is a poet, author and Editor-in-Chief at Ashvamegh International Journal of academic and creative writing. He has authored a book, Being in Love, that brings in light the crime of honour killings in India. Alok is preparing his first poetry anthology to be published in 2016. Himself a poet, Alok has interviewed many poets and authors from India and other countries. Some of them are Abhay K, popular Indian poet, Kevin Kiely, reputed poet and versatile literary figure from Ireland and Murray Alfredson. Alok also writes on his blog about writing, editing and general topics. He is interested in politics, philosophy and social issues.
 
The websites:
Alok Mishra, personal website: http://alok-mishra.net
Ashvamegh International Journal: http://ashvamegh.net

 
 
www.facebook.com/PoetryLifeTimes
www.facebook.com/Artvilla.com
robin@artvilla.com
editor@artvilla.com

 
 
http://www.aquillrelle.com/authorrobin.htm
http://www.amazon.com. All the Babble of the Souk. Robin Ouzman Hislop
www.lulu.com. All the Babble of the Souk. Robin Ouzman Hislop

Share and Enjoy !

Shares

Negation. A Poem by JD DeHart

I am known by what
I am not.
I am defined by the world
around me, its vast
surface of opposites.
I am an existence framed
by the lack of existence,
a person of binary terms,
not female, sometimes
not kind, often not
hospitable, not in love
with the sound of my own
voice, but in love with the
sound of another’s.
Not what I was and yet
not what I will be.

 
 
jddehart
 
 
JD DeHart is a writer and teacher. His chapbook, The Truth About Snails, is available from RedDashboard.
 
 
www.facebook.com/PoetryLifeTimes
www.facebook.com/Artvilla.com
robin@artvilla.com
editor@artvilla.com

http://www.aquillrelle.com/authorrobin.htm
 
 

http://www.amazon.com. All the Babble of the Souk. Robin Ouzman Hislop
www.lulu.com. All the Babble of the Souk. Robin Ouzman Hislop

Share and Enjoy !

Shares