Berkelium, a poem from the “Periodic Table of Poetry” series by Chicgo poet Janet Kuypers

Berkelium

Janet Kuypers

from the “Periodic Table of Poetry” series (#79, Bk)
(started 8/15/14, finished 8/22/14)

The streets of town were paved with stars,
it was such a romantic affair
and when we kissed and said good night
a nightingale sang in Berkeley Square.

A nightingale sang in Berkeley square.
Berkeley. B, E, R, K, E, L, E, Y.
You see, on the other side of the pond
the Brits have a different way of saying things,
including the name of the Anglo Irish
philosopher George Berkley.
That’s B, E, R, K, L, E, Y, like
you’re barking up the wrong tree,
but when a city and University in California
was named after this philosopher,
well, the pronunciation changed
after it crossed the ocean.
And because of scientific work done
at the University of Berkley,
they decided to name element seventy nine
after the University (it’s actually
only one of two elements in the Periodic Table
named after a university).
So, I don’t really know
how you’re supposed to pronounce it,
should I say berk-lee-um like the States,
or the British ber-keel-ee-yum,
because I’ve been trying to learn
a thing or two about Berkelium.
And the thing is, it’s never found
in it’s pure form,
because this transuranic radioactive
and artificially produced element
is a soft, silvery-white, actinide metal
that sometimes has long half lives
through it’s isotopes
(that range from microseconds to several days,
to three hundred thirty days, to nine years
to one thousand three hundred eighty years).
So maybe I’m only meant
to learn about parts of it
by these fleeting dances
scientists have with Berkelium…

Yttrium, from the “Periodic Table of Poetry” series (#39, Y) by Chicago poet Janet Kuypers

Yttrium

Janet Kuypers

from the “Periodic Table of Poetry” series (#39, Y)
7/14/13

Recently NASA sent a rocket
to collide with a comet
to gather comet dust,
so they could learn about comets,
which contain the primordial parts
of what started this solar system.

A compact disc bearing my name
was mounted on the impactor
spacecraft shot into space
on this Deep Impact mission.

Although this was the first NASA
mission with my name on it,
it was also the first NASA mission
to learn about what’s deep inside
a comet.

The rocket combustion chamber
that shot this impactor spacecraft
on it’s collision course
with Comet Tempel 1,
had a silver-colored lining
of an alloy of nickel, chromium,
aluminum and Yttrium.
Yttrium makes sense, because
Yttrium has been used
in places from MRI scanners
(to help us heal)
to CRT tubes on TV sets
(to help us see).
Yttrium makes element
compounds stronger
(good for stellar travel)…
Besides, the fact that Yttrium
is colorless, odorless,
and not naturally magnetic
gives it an added plus
while being a part of the launching
of the rocket I tacked my name onto
when looking for a comet.
It’ll help us see more than
what’s inside our bodies, or
what a cathode ray tube could —
it may help us see
where we came from
in this solar system too.

Ytterbium, poem from the “Periodic Table of Poetry” series (#70, Yb) by Chicago poet Janet Kuypers

Ytterbium

Janet Kuypers

from the “Periodic Table of Poetry” series (#70, Yb)
(with references to the poem “Writing Your Name ”)
11/15/13

I’ve searched for you.

Though others may say otherwise,
I know you’re not at all rare —
so I’ll still keep searching.

You’ve always been on time
whenever I’ve wanted you,
but you seem to leave
that fire in the air as you leave…
And you always escape me,
like you slip between my toes
as I’m walking along the beach,
like grains of complex sand,
each grain a nearly microscopic
crystalline rock.

Like you’re minute crystal,
sliding by me
as I walk on by.

I know you’ve always
mixed well with others,
so I’ll go that beach.
I’ll sit there
and take a stick
and write your name
in that precious sand.

I’ll check my watch —
how long have I
been searching?

I’ll run my hands
along those grains of sand.
I’ll study those compounds
making those grains of sand,
those ragged crystalline stones.
Those crystalline stones remind me
of the shards of doped glass
that shattered
when I saw you last.

And now it’s been so long
that I’ve been looking for you.
I’ll check my watch again.

I’ll pull out my pocket
infrared laser light pen.
I’ll shine it on the sand.
I’ll look to see
if anything
reflects light
in different colors back to me,
wondering what I’d see
if my eyes could see
in infrared light
in my search for you.

As I said,
I’ll so anything
in my search
to find you.

I’ll check the time again.
My watch has to be on time….

Because I don’t care
what anyone says.
I wrote your name
in the sand,
and if the elements
wash away your name tonight,
I will be back tomorrow
to write it again.

Xenon, poem from the “Periodic Table of Poetry” by Chicago poet Janet Kuypers

Xenon

Janet Kuypers

from the “Periodic Table of Poetry” series (#054, Xe)
4/27/13

I don’t care
that you’re no
Zena warrior princess,
I just can’t stand
those high-intensity
headlights of yours
at night.

You may numb me
from my pain
if I breathe you in,
but the only good
your brightness may do
is that your excitement
may add color and life
to my plasma tee vee.

But, you know,
if I love outer space,
I should like the fact
that you are the propellant
in Ion drives —
because if Xenon is the ion,
it can be shot out of a rocket
in outer space,
forcing the rocket
to move faster and faster
through the void
of outer space.

Then again,
I’m not going to outer space,
and there’s no funding
to get us humans
into outer space
right now anyway…

So I’m sorry.
you may think
you’ve got some
bright ideas,
but when I’m driving
at night,
sometimes I think
you should keep
some of your ideas
in check.

White Phosphorus, poem from the “Periodic Table of poetry” series by Chicago Poet Janet Kuypers

White Phosphorus

Janet Kuypers

Bonus poem from the “Periodic Table of Poetry” series, #15, P
9/30/13)

Seeing bombs from Viet Nam
and the white smoke rising —
with each bomb exploding,
I knew
that smoke…
It was Willie Pete,
white Phosphorus —
you couldn’t put it out
once it started burning.
This stuff would
destroy the forests
foreign to our
U.S. troops.

I know you can’t understand.
But I wanted you to know
that I haven’t felt close
to anyone
or anything
in years.

It sounds sick,
but seeing that footage,
seeing that white smoke
from that file footage,
it brought it all back to me.
It brought the emotions
flooding back to me
like it was yesterday.

Everything that seems
so volatile
about that war,
in a way
has become a part of me,
right down to my DNA.
You look at your tv screen
and think it makes no sense,
but…
It’s a part of me.
I know I’m old now,
I know it’s only
a small part of me,
but I know I need it.
I can’t explain why,
but I do.

When you see the destruction
of Willie Pete…
Yeah, we knew what it was,
white Phosphorus,
but all of us called it that,
it was just easier
to say it then,
but…
When you see the destruction
of that white Phosphorus,
you think of it
on some existential level,
like “oh, violence is bad,”
but when I see those
bombs going off,
and when I think of
what it was like
to live in that war,
that Willie Pete —
that white Phosphorus —
to us, that was our key
to getting through that hell.
You can’t understand,
but that
was the closest we had
to getting out alive.