poetry

Terbium, “Periodic Table of Poetry” poem by Chicago poet Janet Kuypers

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Terbium

Janet Kuypers

from the “Periodic Table of Poetry” series (#65, Tb)
7/17/13

Looking for better sound
remains at the top of the list.

Having better stereo speakers
at all group parties, meetings or settings,

having a portable sound system
anyone could take with them,

even using sound while in the car
to reduce traffic noise, hear better music,

or talk hands-free on your smart phone.

The possibilities seem endless,
but stereo speakers take up space —

so we need to use science and technology
to even help us meet our audio needs.

Companies create better and better
sound systems, earbuds for iPods

have grown smaller and smaller,
even with noise-canceling technology…

There has to be a way to use the world
around us to get us exactly what we have

decided we need.

So, after just a little research,
I discovered an element twice as common

as silver on this planet, and when it is mixed
into a compound, Terbium can help create

a “Soundbug” speaker that can turn
any flat surface into a flat panel speaker.

(Any flat surface, like an office window,
or your dining room table at home.)

You see, the Terbium-filled Soundbug
can be plugged into a headphone socket

and then suction to any flat surface —
literally turning that surface into a speaker.

Now, this Terbium-rich Soundbug
is only the size of a computer mouse,

and retailing at less than fifty bucks,
they’re targeting this to the youth market;

but a wide-range of technology users
are going to love this little gadget

that can re-purpose everyday flat surfaces
into speakers for all sorts of sound needs.

The thicker the flat material surface, the
better the sound quality of the Terbium-laced

Soundbug speaker, and yeah, the resonance
of the speaker material (wood, glass, metal)

can effect the final sound quality,
but in theory you could daisy-chain

a few of these Terbium Soundbugs together
to excite multiple electrical currents of the music

players, to excite the mock speakers,
to bring every party to life in richer stereo.

Now, I know Terbium is like a
“Swiss Army knife” for cancer diagnosis,

and I know it’s green luminescence
gives color enrichment to tee tees

and is even used in fluorescent lamps,
or lasers, or semiconductor devices…

But this whole “using what we have
to multi-purpose what we have” idea

is really beginning to stick with me.
This audio technology can work with

magnetostriction, like, in a car instead
of in a business meeting or a party:

in a car, the Terbium Soundbug
could create noise-insulating windows,

blocking out the excessive sounds of traffic
(and you know how I hate the sound of traffic…).

But to business workers in a car,
the mobile phone version of the Terbium

Soundbug could be stuck to a car windshield,
to allow hands-free, headset-free talking.

(Well, that may cost a little more
than the indoors Terbium Soundbug,

but no price is too high to stop people
from staring at their phones while driving,

right?)

So yeah, although it is more common
on earth than silver, Terbium may still be

hard to get sometimes — but if we can find
this many uses for this element,

I’m sure it’s demand will increase, because
pretty soon, Terbium will be desired

more than anything.

Tellurium, “Periodic Table of Poetry” poem by Chicago poet Janet Kuypers

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Tellurium

Janet Kuypers

from the “Periodic Table of Poetry” series (#52, Te)
7/13/13

When a couple is meant to be together
(but at their core they’re nothing alike),
you can see them come together almost violently,
before their anger pushes them away from each other.

Until they do it again, and again, and again.
It’s like they can’t stop. They can’t help it.

They rush to each other for a mad embrace,
they feel intense attraction that they can’t escape,
‘til they know despite their lust, they hate each other so,
and they do everything they can to break free.

It’s a sick cycle they’re stuck in.
This coming together. Then rushing apart.

#

There’s electricity in the air. I hear the buzz
whenever I walk by that street corner and see
all of the electrical wires, crossing in every direction —
I can hear the loose electricity jumping into the air.

Do you know why electric wires are spaced far apart
when they’re up high on poles like that? Well,
that’s because those Tellurium metal alloy wires
up high in the sky like that aren’t even insulated —

and they have a strong magnetic field with all that electricity
coursing through them. If wires were closer to each other
while up in the air, the wires would swing toward each other
because of their insanely strong magnetic attraction.

In being drawn to each other, an arc may form
between the wires, destroying them almost instantly.

But then again, magnetism in the wires switches polarity
a hundred and twenty times every second
(because ofelectricity’s sixty hertz frequency)…

That would make those wires want to repel each other
as often as they were magnetically drawn to each other.
So yes, for one hundred twenty times every second,
these wires would vibrate back and forth.

So if there’s no electric arc, these Tellurium metal
alloy wires would vibrate so intensely and violently,
that if they weren’t kept far apart
they would destroy each other, vibrating.

#

Tellurium is used in alloys with steel
to make high-strength conductors.
Abundant cosmically but rare on Earth,
it’s often found combined with gold:

in the first gold rush, this mix looked like waste,
so they used it to fill potholes or sidewalks.
Once they realized it was Tellurium and gold,
there was a second gold rush…

Acute poisoning with Tellurium is rare;
most organisms tolerate Tellurium.
Organic tellurides have antioxidant activity.
and can even be used to identify pathogens

responsible for diphtheria.
It’s optical refraction makes it perfect for glass.
It’s been used in color ceramics,
and gives rubber heat resistance,

In copper, iron, lead or stainless steel,
it makes the metals more machinable,
improving solar cell efficiency and electric
power generation, so it helps any energy.

I don’t know,
maybe that explains why
we’ve been feeling
this electricity in the air.

Technetium, “Periodic Table of Poetry” poem by Chicago poet Janet Kuypers

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Technetium

Janet Kuypers

from the “Periodic Table of Poetry”” series (#43, Tc)
7/10/13

You’re named from the Greek word for “artificial”,
because you were the first element man ever made…

We wanted to discover, we wanted to find you out —
we’d even create you if this was the only way.

We can only find you after your brethren
have been broken apart to reveal you. But the thing is,

your name is a bit misleading, though, since
you can be found naturally, albeit in trace amounts.

Though it’s funny, we searched for you for so long,
and now we discover that you’re a by-product

of our nuclear power stations. Then everyone thought
we wouldn’t know what to do with nuclear waste.

You’ve been put into the environment as
“low-level-waste” for nearly half a century,

but what I’ve learned is that doctors inject
small amounts of you into patients with tumors,

so they can see exactly where they need to heal people.
People wondered what we’d do with our nuclear waste,

but now you’re used in 20 million medical procedures
each year, because your short half-life makes you safe

and the way you decay helps doctors see
exactly what they need to do to save a life.

And yeah, you’re nuclear waste injected into a human,
but they need such a small amount that radiation is low.

It’s hard to believe that we searched for you for so long,
and now that you’re injected into 20 million patients —

in North America alone — every year,
it’s good that we finally found you out.

Forest Gander Poet & Translator

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A writer in multiple genres, Gander is noted for his collaborations with photographers such as Sally Mann and Graciela Iturbide and with the dancers Eiko & Koma. He is a United States Artists Rockefeller Fellow and the recipient of fellowships from the Library of Congress, the National Endowment for the Arts, the John Simon Guggenheim Foundation, The Whiting Foundation, and the Howard Foundation. He is the Adele Kellenberg Seaver Professor of Literary Arts and Comparative Literatures at Brown University in Rhode Island

Gander is a translator with a particular interest in poetry from Spain, Latin America, and Japan. Besides editing two anthologies of Mexican poetry, Gander has translated discrete volumes by Mexican poets [1] Pura López Colomé, [2] Coral Bracho (PEN Translation Finalist for “Firefly Under the Tongue”), and [3] Alfonso D’Aquino. With Kyoko Yoshida, Gander translated Spectacle & Pigsty: Selected Poems of Kiwao Nomura (OmniDawn, 2011), winner of the 2012 Best Translated Book Award. The second book of his translations, with Kent Johnson, of Bolivian poet Jaime Saenz, The Night (Princeton, 2007), received a PEN Translation Award. Gander’s critically acclaimed translations of the Chilean Nobel Laureate Pablo Neruda are included in The Essential Neruda: Selected Poems (City Lights, 2004).
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Gold: (PoeimaPoetry) A New Book Of Poetry by Barbara Crooker.

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Barbara Crooker’s poems have appeared in magazines such as The Green Mountains Review, The Hollins Critic, The Christian Science Monitor, Smartish Pace, The Beloit Poetry Journal, Nimrod, The Denver Quarterly, The Tampa Review, Poetry International, The Christian Century, America and anthologies such as The Bedford Introduction to Literature, Good Poems for Hard Times (Viking Penguin), Boomer Girls (University of Iowa Press), and Commonwealth: Contemporary Poets on Pennsylvania (Penn State University Press). She is the recipient of the 2007 Pen and Brush Poetry Prize, the 2006 Ekphrastic Poetry Award from Rosebud, the 2004 WB Yeats Society of New York Award, the 2004 Pennsylvania Center for the Book Poetry in Public Places Poster Competition, the 2003 Thomas Merton Poetry of the Sacred Award, the 2003 “April Is the Cruelest Month” Award from Poets & Writers, the 2000 New Millenium Writing’s Y2K competition, the 1997 Karamu Poetry Award, and others, including three Pennsylvania Council on the Arts Creative Writing Fellowships, fifteen residencies at the Virginia Center for the Creative Arts; a residency at the Moulin a Nef, Auvillar, France; and a residency at the Tyrone Guthrie Centre, Annaghmakerrig, Ireland. A thirty-two time nominee for the Pushcart Prize and five time nominee for Best of the Net, she was a 1997 Grammy Awards Finalist for her part in the audio version of the popular anthology, Grow Old Along With Me–The Best is Yet to Be (Papier Mache Press). Her books are Radiance, which won the 2005 Word Press First Book competition and was a finalist for the 2006 Paterson Poetry Prize; Line Dance, which came out from Word Press in 2008 and won the 2009 Paterson Award for Literary Excellence; More (C&R Press, 2010); and Gold (Cascade Books, a division of Wipf and Stock, in their Poeima Poetry Series, 2013). Her poetry has been read on the BBC, the ABC (Australian Broadcasting Company), and by Garrison Keillor on The Writer’s Almanac. She has read her poems in the Poetry at Noon series at the Library of Congress, in Auvillar, France, and many other venues.

www.barbaracrooker.com,

Barbara Crooker appeared frequently in the old Poetry Life & Times over the last decade & at present her works can be viewed at the New Poetry Life & Times www.artvilla.com/plt   I am pleased to introduce yet another and her latest book of poems, which has already received good reviews, so there is little more that I can add to that.  robin@artvilla.com  editor@artvilla.com