Ununoctium, “Periodic Table” poem by Chicago poet Janet Kuypers

Ununoctium

Janet Kuypers

from the “ Periodic Table of Poetry” series (#118, Uuo)

I first only heard of you a decade ago.
You seemed so reactive, so unstable,
and yet I was so attracted to you.
I should have known better.

I should have known that
your radioactive personality would
cause your destruction, so I guess
I’m glad I’m not around to see it.

I have only seen you three or four times
since you started to self-destruct,
so from afar I can only guess
what you’re made of, or what you can do.

But still, I can’t get you out of my mind,
so I’m left here to guess about you,
based on what little I could ever infer
about you. This is all you leave me.

When I saw you before, you seemed
kind, and noble when you were with me…
But that was before I saw what you
were made of, how hard you could be.

So much emanated from you with me,
but you’ve systematically shattered
any preconceived notions of who you are,
that I don’t even know what to believe.

You’re that explosive, and I’ve been
unsuccessful in any attempts to synthesize
with you… It’s funny, you seem
like you want to be discovered,

but I can only predict, calculate, or
extrapolate what I think you can do.
If only you would let me crack your shell
so I could see what you’re made of…

Francium, “Periodic Table of Poetry” poem by Chicago poet Janet Kupers

Francium

by Janet Kuypers

of Scars Publications
from the “Periodic Table of Poetry” series (#087, Fr)

Thinking of you,
I’m reminded
of someone taking his mother’s guns
and killing her in an elementary school,
then taking out twenty children,
then five more adults,
before taking his own life.

Remembering your destructive ways
reminds me of going to a movie on opening night
before someone walks in,
cloaked in dark clothes
setting off smoke bombs
before killing anyone he could.

Your metallic personality,
you and your radioactive ways,
you decayed anything you touched.

So you wonder why I correlate you
to any and all destruction,
the way you’d be the instrument of death
by slamming so much fuel,
so much metal, so much life
into the tallest building you could find,
killing anything that crossed your path.

And yeah, I’d correlate you
with the government claiming to play nice
while you helped over eighty faithful followers
disintegrate in a fiery cataclysm.

I’ve seen what you can do.
I can’t help but make the connections.

In such a short burst of time,
you’ve killed seven
in a Sikh temple.

I’ve never seen you for long enough
to think I can know what you
might be like in bulk.
As I’ve said,
I’ve only seen you in these short bursts.

But oh,
what you’ve done
in those
short
bursts.

I think it’s funny
how you unintentionally
chose Hitler’s birthday
to kill thirteen teens,
injure over twenty more,
on an otherwise average school day.

I know, I know you’re rare,
but when I see you,
the world sees you,
and we can’t forget.
I know it’s such a little amount of you
that exists at any time
throughout the entirety of the Earth,
and I know others
have tried to create you synthetically,
to try to learn from you,
but those amounts have still been too small
to make any difference.

It’s sad, that this is the way
you normally are —
your instability make me think
that you just can’t be real—
and I know that your rampages
usually last no more than twenty,
maybe as long as twenty-two minutes.

I’m just afraid
that you are becoming
more and more common in life.

After all of these years,
you have always been rare,
but your repeated appearances
in our lives scare me.
I know that with you, everything falls apart
so suddenly, so quickly so violently.
How much longer
will we cross our fingers,
while we anticipate
our next chance encounter?

Lead, periodic table poem from Chicago poet Janet Kuypers

Lead

by Janet Kuypers

from the “ Periodic Table of Poetry” series (#082, Pb)

I walked into the bedroom,
opened the closet door,
pulled out the cardboard box,
then opened it to pull out
a pistol case.
I set the piston case down,
opened it,
saw the unloaded twenty-two
and the filled magazine.
I held the magazine
filled with Lead bullets,
reminding myself
that it was always an option.

There’s so much more weight
in those Lead bullets.
They feel heavy in my hand.

Then again,
Lead aprons to protect you from x-rays
are heavy, too.

Lead is so common,
used for thousands of years,
from the Bronze Age,
pushing the Roman economy.
The name for plumbing
even comes from the Latin
“plumbum” because
Lead pipes were used.

And after all these years,
Lead’s not even used
in lead pencils,
that writing stylus
is just a lead mockup. . .

Because Lead comes
from the decay of uranium,
and sometimes could be radioactive,
but still, it can protect you
from things like x-rays
or even nuclear contamination.

So yeah, it can protect you,
and it can also be the missile
in an instrument of death.

As I said,
These bullets
feel so heavy
in my hands.

Astatine in a Fantastic Car Crash

Astatine in a Fantastic Car Crash

by Janet Kuypers

from the “ Periodic Table of Poetry” series

And our life is one big road trip now,
and we set the cruise control
and make our way down the expressway.

And most of the time we’re just moving
in a straight line, and the scenery
blurs. There’s nothing to see.

But I know what’s inside of you
and I know what you’re made of.
There’s no such thing as a calm with you.

You are a fantastic car crash.
You stop traffic in both directions —
In your twisted way, you come from the decay

of others… And what do you leave
in your wake? More radioactive destruction,
as all around you slows down to stare,

and all the gapers gawk, as the decay grows.

Everything shatters with you, you know.
It’s a spectacular explosion,
until your instability corrodes you down

to the basics in the world. And yeah,
what was left of you after you were gone
is so much more stable than what you were,

but still, I’d duck and cover
as metal flies through the air. Every time
you leave the scene of the accident,

I am left picking up the shards of glass
from the windows. You know, the glass breaks
into such tiny little pieces. They look like ice.

It takes so long to pick up the pieces,
and even though I’m careful,
I’m still picking up the pieces

after dealing with only fractional amounts of you.
I’ve only been able to infer what you’re like
by knowing your brethren,

while I’m stuck here, picking up the pieces,
and I’m still on my knees.
The glass cuts into my hands,

because it was only after so much
of your destruction that you left blood
drip
ping down to the street
.

think of this as your contribution,
this radioactive short-term flash of decay

think of this as your contribution

to this fantastic car crash
that is you, that is me,
that is us.

I’ve tried to learn, I’ve tried to study
these microscopic parts of you
to make sense of you…

But whether or not you ever leave enough,
despite your destruction,
despite this decay of yours,

I have to keep reminding myself
that when it comes to you,
This is what you do.

This happens all the time.
So,
I to pull the glass from my hands

and I wave my hand to the line of traffic:
go ahead, keep driving, this happens
all the time, there’s nothing to see here.

Einsteinium poem by Janet Kuypers

Einsteinium

Janet Kuypers

from the “ Periodic Table of Poetry” series

Einstein understood
that everything was relative…

Why did he have to worry
about brushing his hair
or changing out of his pajamas
when he was busy grappling
with the foundations of phyics?

And once he fathomed
the relationship
between matter and energy,
once he understood
the interconnectivity
between matter and energy —

he suddenly understood,
after this Jewish physicist
left his home in Germany,
that Hitler and the Third Reich
could be working on an atomic bomb,
converting so little matter
into so much devastating energy.

At this time, he understood
the need for Roosevelt
to create this weapon
so the Germans wouldn’t destroy us.

The gravity of this discovery
in the hands of evil men
weighed him down,
and even months
before he died,
Einstein wrote
that although the devastation
in Hiroshima and Nagasaki
seemed unfathomably horrific
and he regretted writing
that letter to Roosevelt,
his justification
was the threat of Germany.
When he wrote that letter,
he still had to appeal to Roosevelt,
that yes, to save us from Germany,
this weapon needed to be created.

Knowing about his torment
in making this decision
to ask for the creation
of the atomic bomb,
makes it so ironically beautiful
that after scientists
discovered an element
after the first explosion
of the hydrogen bomb,
they named the element Einsteinium
after the physicist.

How
ironically
beautiful.

Einsteinium is a silvery-white,
radioactive, synthetic element
with a high fission rate,
like the atomic bombs
Einstein first knew of
when fearing his homeland enemy.
But because of the short half-life
of all isotopes of Einsteinium,
all primordial Einsteinium
has decayed by now,
and beyond it’s nuclear creation,
there is almost no use
for any isotope of Einsteinium
outside of basic scientific research…

Which makes me think of the
life of Albert Einstein, I suppose,
for although Einstein worked
at odd jobs for years
until he was a patent examiner,
his mind was only good at one thing:
doing not-so-basic scientific research,
solving scientific fundamental puzzles,
if only he had the time
to study the puzzle long enough.

photos of Janet Kuypers and Albert Einstein with their tongues sticking out