poem

Power. A Poem By Robin Ouzman Hislop

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People, pictures, patterns stacked
in this traffic jam of time –
 
The tyranny history –
marionettes in painted fields
 
Time is mind, a landscape
money buys, sells as properties
properties mind can never know.
 
An oracle of echoes

 
Here, now in time’s traffic jam
where all landscapes blend
fold into the silences of spaces
unleashed in fatality.
 

Robin Ouzman Hislop was an Editor at the 12 year running on line monthly poetry journal Poetry Life & Times, now at Artvilla.com, as its Editor. He has made many appearances over the last years in the quarterly journals Canadian Zen Haiku, including In the Spotlight Winter 2010 & Sonnetto Poesia. Previously published in international magazines, his recent publications include Voices without Borders Volume 1 (USA), Cold Mountain Review, Appalachian University N Carolina, The Poetic Bond Series, available at The Poetic Bond and Phoenix Rising from the Ashes an Anthology of Sonnets. He has recently completed a volume of poetry, All the Babble of the Souk , publication now available. He is currently resident in Spain engaged in poetry translation projects.
 
 
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Rhenium poem from the “Periodic Table of Poetry” series (#75, Re) from the Chicago poet Janet Kuypers

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Rhenium,

Janet Kuypers

from the “Periodic Table of Poetry” series (#75, Re)
(started 8/7/14, written 8/8/14, finished 8/9/14)

Okay, so I’ve been researching
these elements in the Periodic Table,
and when I got to Rhenium
(named for the Rhine river, by the way),
I was kind of stumped.
What comes to your head
when you hear the word “Rhenium”?
Other than the fact that
“Rhenium” was an LP from Parliment
released in nineteen seventy,
I was stumped.

But hey, this element was named after the Rhine river
stretching through Europe,
but in ancient Greek Times,
they thought of the Rhine
as the outermost border
of civilization and reason,
beyond which were mythical creatures.
No lie.

But I don’t know if that mythical nature
of the unknown is what drove scientists
to search for this element,
and to learn everything they could
about what was otherwise unknown to them…

I mean, Mendeleev, the “creator”
as we know it of the Periodic Table,
postulated this element’s existence,
but it wasn’t found in his lifetime…
and it was later predicted
by an English physicist in 1913,
but it still hadn’t been discovered.

But people in different countries
claimed the discovery
through X-ray analysis,
but after a ton of dispute
this elusive element was finally found,
and as all scientists like to think,
this discovery has to mean something,
I mean, we have to use this discovery
for ssomething, so people
will appreciate our precious work!

Well they found out that Rhenium
(now that airplanes were being used more and more
by both vacationers and business travelers)
can be used with super alloys
to make jet engine parts
(well, I guess that’s cool
for the jet-setters out there…)
but, after people figured out
that putting lead in high-performance fuel
might not be good for the environment
(okay, or for people),
they found that Rhenium
could be a catalyst
for making lead-free
high-octane gasoline.

Since we now have means to travel faster and farther
(thanks to Rhenium in part, by the way),
we might not think of the Rhine as the edge of our existence
with anything beyond it being so mysterious.
But when it comes to Rhenium,
it’s one of the rarest elements in Earth’s crust
(I wonder if that’s why it took so long to discover it.)
Because of it’s radioactivity,
it’s used in the treatment of liver cancer
(and maybe pancreatic cancer too),
but with the skyrocketing price of this rare element,
scientists still worry about the potential toxicity of Rhenium.
So, maybe like the mythical creatures
beyond the Rhine the Greeks foretold,
maybe, after discovering Rhenium,
maybe we should be looking
at both the bad — and the good —
that can come out of the rare,
but radical,
and remarkable Rhenium.

Potassium Chloride, bonus poem from the “Periodic Table of Poetry” series, ( based on Potassium, #19, K) from the Chicago poet Janet Kuypers

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Potassium Chloride

Janet Kuypers

(bonus poem from the “Periodic Table of Poetry” series, based on Potassium, #19, K)
10/25/14

Once worked for a company
who stopped selling their drugs
to state correctional facilities

who used them in cocktails
to kill their prisoners. The company
didn’t have the moral issue —

but religious and political
groups did, and companies
couldn’t justify selling drugs

as sedatives to hospitals
when those same drugs
were used to kill people.

Then I learned that in the cocktail,
pentobarbital was the sedative,
pavulon was the paralytic agent,

and Potassium Chloride killed them.
So I instantly remembered
that us humans need Potassium,

but nobody will sell supplements
because too much Potassium
could easily kill a person.

So, too much of an element
that we need for life
can kill us. Fascinating.

But it’s not straight Potassium
that they use in lethal injections,
it’s Potassium Chloride —

so I wondered, but why
is it not just straight Potassium?
That’s when I heard

that if you take Potassium straight
it would burn, so they use this
metal halide of Potassium with chlorine.

How nice of them, because it would
be cruel if prisoners were in pain
before we killed them. That would be

cruel of us.

#

More than a decade after my state
imposed a moratorium on executions,
then the death penalty was abolished.

And I know the death penalty
costs us taxpayers much more money
than keeping prisoners alive for life.

The death penalty’s not a deterrent,
and the death penalty does take
innocent lives from wrongful convictions.

But all that’s stuck in my head
right now is the Potassium Chloride,
things our body needs, to kills us.

I reflect on the late-night leg cramps
because we don’t get enough Potassium.
Chloride’s needed for metabolism,

and Potassium’s one of the most
important electrolytes in our body.
Still, too much of it can kill us.

It must, somehow, makes sense
that we humans take these elements
and use them as an instrument of death.

I’m afraid I know how us humans think,
so,
of course. It makes perfect sense.

Billy Collins Poet – What Dogs Think!

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billy-collins-2012-448

John Updike praised Collins for writing “lovely poems…Limpid, gently and consistently startling, more serious than they seem, they describe all the worlds that are and were and some others besides.” But Collins has offered a slightly different take on his appeal, admitting that his poetry is “suburban, it’s domestic, it’s middle class, and it’s sort of unashamedly that.”

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Irish Voices. Paul Muldoon. Poet. Saoirse (Freedom)

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paul-muldoon
 
Paul Muldoon is one of Ireland’s leading contemporary poets. He was born in Portadown, County Armagh and raised near The Moy, in Northern Ireland. Muldoon’s work is full of paradox: playful but serious, elusive but direct, innovative but traditional. He uses traditional verse forms such as the sonnet, ballad, and dramatic monologue, but alters their length and basic structure, and uses rhyme and meter in new ways. His work is also notable for its layered use of conceit, allusion, and wit. The cryptic wordplay present in many poems has often been called Joycean, but Muldoon himself has cited lyric poets such as Frost, Thomas, and MacNeice as his major influences.
 
Muldoon is the youngest member of a group of Northern Irish poets—including Seamus Heaney, Michael Longley, and Derek Mahon—which gained prominence in the 1960s and 1970s. As a student at Queen’s University, Muldoon studied under Heaney, and refined his own analytical and critical skills in weekly discussions with other poets. In 1971, at the age of nineteen, Muldoon completed his first short collection, Knowing My Place. Two years later, he published New Weather (1973), his first widely reviewed volume of poetry. The book secured Muldoon’s place among Ireland’s finest writers and helped establish his reputation as an innovative new voice in English-language poetry.
 

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